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Dec 2017 - Submission #3

Discussion in 'The Lone 2017 Competition' started by Xiph0, Dec 28, 2017.

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  1. Xiph0

    Xiph0 Yoda Admin

    Joined:
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    Location:
    West Bank
    The Druidstone Passage


    Along the coast there is a bay.
    Above the bay arch sea-worn cliffs.
    Atop the cliffs there rests a pub.
    In the pub there sits a man…
    …he drinks alone.


    The pub was known as the Druidstone, an old limestone building, a haphazard collection of twisted floors and hidden nooks, that stood as a silent sentinel, a lighthouse, against the howling winds blowing in off St. Bride’s Bay—gales that rattled windows, that whipped sand and salt across the wilds of Pembrokeshire National Park in coldest, darkest Wales.

    The man sat on a worn and wonky barstool, magenta robes flowing over the legs of the velvet-cushioned seat. He could be standing, his long and silvery beard tucked into his lap, but here he sits and here he contemplates his drink. The rain and the wind batter the Druidstone, but the old pub has weathered such storms before. A Jack Russell Terrier, as old as creation, wiry and grey and cross, sleeps curled before the gently flickering fireplace, legs twitching in dream. Save for a few dull bulbs, the fire in the hearth is the only source of light in the small Poet’s Bar on the lower level of the Druidestone, built close enough to the cliffs to throw a stone and hit the angry water two hundred feet below.

    The dog’s name is Charlie, and the man’s name, as the bartender is soon to learn, is Albus Dumbledore.

    Bryan, the pub landlord and sole wintry bartender, stood behind the long mahogany bar, curved like a horseshoe, against the southern wall of his establishment, the wood stained with glass rings and thirty years of burnt down candles. The power went out often and here, as in most places of influence and confluence, the old ways still held. Fire, chief among them. Ashtrays were no longer allowed indoors, but the dells where the once-heavy weights had worn away the wood still marked the bar top.

    Bryan leaned against the spirit shelf polishing wine glasses, the bottles behind him—some of them coated in a decade or more of dust—an army at his back. He had used one of those bottles that night, pouring a dram of Firewhisky for the old, bearded man sitting at the bar. An odd bottle, curiously warm, and one Bryan didn’t remember buying any time in the last three decades. But there it had been, amber and aged, nestled between the Lagavulin and the Glenfiddich, as dusty as the rest, when called into service.

    Only three customers had made the somewhat treacherous coastal walk to the Druidstone that night. Two regulars, who knew the path along the cliffs so well they could have—and indeed, often did—walk the muddy trail in the dark and the storms blind-drunk. The regulars, Alan and Alan, sat playing chess in one dimly lit corner near the warmth of the fire. Alan from Trenwyth Farm looked a shade worse for wear than Alan from Monmouth, but then the winter had been a cruel, unnaturally long one. Strange fogs, mumblings of the old haunts, of things stirring… His other customer was the old man with the lifelong beard.

    This time of year, Bryan was lucky to get the two regulars, let alone a third. The old pub had dozens of rooms and used some of them as beds for weary travellers during the high season, but this deep into winter and the reception desk upstairs had sat disused for a few months. During summer, when the weather was a shade better and the coastal path saw steady foot traffic, Bryan pulled double duty as hotel manager upstairs and pub landlord below. He often joked with the guests that they’d meet his twin brother behind the bar when they shook off their mud-coated boots and jackets and headed down for an ale or two.

    “Are you sure you wouldn’t like something else, sir?” Bryan asked the old man. No spring chicken himself, hair as white as snow, still Bryan felt an age younger than his customer. A customer who had been staring intently at his dram of whisky for the last half hour, not taking a sip. “Tea? The wife has proper Welsh lamb in the oven, Mr…?”

    From behind a pair of half-moon spectacles, the old man’s eyes met Bryan’s and—if not for the fact that he was already leaning against the spirit shelves—Bryan would have taken a step back. He was considering eyes as deep and as knowing as any he had ever seen. The eyes of a man who had seen some things in his time. Eyes that knew how fragile civilisation was, because they had seen it come crashing down… more than once.

    Bryan was reminded of the old fairy stories he had heard in his youth (…things stirring), tales of the Fair Folk, who danced and drank in wild, chaotic merriment, and lured mortals to their doom in the Dark Ages all along St. Bride’s Bay. Old Hob, Puck, the trickster menagerie. Here, for no reason he could figure, was a man with eyes who had seen such things. Knowing without knowing, Bryan saw in the old man a knight, a protector, against things as absurd as fairy tales. For a moment, just a heartbeat, Bryan understood and believed it all. Then he blinked, the knowing faded, the night returned.

    “Dumbledore,” the old man said, as if that were the most normal name in the world “And no, thank you, I have all I require.”

    Bryan nodded, calling on his wisdom of thirty years behind the bar, seeing folk at their most disarmed, and knowing when to talk and when to shut’thy’clap, as his father used to say.

    The single dram of whisky he’d placed in front of Mr. Dumbledore had sat unloved and undrunk for the last half hour. Occasionally, his worn hand, wrinkled with age—the other hidden in the folds of his robe, cradled almost against his stomach—would creep across the bar toward the glass, touch the rim, then pull back.

    Here’s a man who knows his drink, Bryan thought.

    A crash of thunder-struck-lightning rumbled and flashed through the cosy bar. Old Charlie, as loyal and as grumpy a dog as ever there was, grumbled and huffed in his sleep. For a moment, just the moment between heartbeats, Bryan thought he could see right through Mr. Dumbledore as if he were a ghost. He gasped, blinked in the aftershock of the lightning, but the old man seemed as solid as ever, if still oddly dressed in his magenta robe. Bryan shook his head, fanciful fairy tales taking hold too easily that night, and collected the next glass to be polished.

    The wooden door toward the cliffs swung open, letting in a blast of cold wind and fat coin-drops of rain across the threshold. A man, hooded and cloaked, stepped into the Druidstone, passing under the original fifteenth century archway—carved with strange, archaic runes—and hauled the heavy brass-bound oak door closed behind him.

    Bryan raised an eyebrow but also found his smile at his second unexpected customer of the evening—albeit another strangely dressed one. He didn’t need thirty years of bartending experience to wager a guess that Mr. Dumbledore and the new man, who walked as if he were a lot younger and less bearded, knew one another. The cloaked stranger limped on a simple wooden cane, notched along the hilt, his pale hand gripping the handle as if each step pained him.

    He approached the bar, Mr. Dumbledore’s stool, and placed his free hand on the old man’s shoulder. “Good evening, Professor,” he said with genuine, if tired, warmth.

    The man with the cane sat at the third stool along the bar, leaving a one stool gap between himself and Dumbledore, perhaps expecting another guest, and lowered his hood. As Bryan had suspected, he was a young man—somewhere in his twenties—a shock of unruly black hair, an angular face, glasses, and… well, he had the eyes of the old man sitting next to him, if not the years. Fairy tale eyes. Wearied was the closest word that fit, and wild at the edges. For the second time that evening, Bryan was struck with the certainty he was tending bar to men who had decided the weight of the world, her hidden secrets and darkest evils, was worth carrying—worth sharing.

    Again, that certainty faded as if in dream, as swiftly as it had gripped him.

    “Harry, dear boy,” Mr—Professor—Dumbledore said. “I worried you had been waylaid.”

    Harry eased himself back on his stool, a storm’s worth of rain dripping from his black cloak and onto the old grey flagstones. He leaned his cane against the bar and rubbed at his knee in slow, deep circles. His eyes squinted, but he gave no other sign of discomfort.

    “Good evening, young sir,” Bryan said. “What can the house do for you this evening?”

    Harry eyed the array of bottles on the shelves, the bridge of beer taps, and wrapped his knuckles against the bar. “A glass of red, please. Dealer’s choice.”

    Bryan nodded and collected one of his freshly polished glasses and cracked the cap on a bottle of French red wine. He poured a healthy sized swig into the glass, never one to put his finger on the scale—something else his father used to say.

    Harry accepted the glass with thanks and swirled the wine under his nose. He inclined his head once and said softly, “Are you sure you want to do this?”

    Professor Dumbledore considered, then nodded. The implied sigh in that single nod spoke to regret, as clear as Bryan had ever seen in a man. He picked up his dram of whisky. “To your health and happiness, Harry.”

    Harry found half a smile. “And yours, sir, always.”

    With a well-practiced flick, almost a magic trick, Professor Dumbledore knocked back the dram and made the whisky disappear. He settled the glass back on the bar and didn’t wince against the hard liquor, or cough.

    “May I request another, please, barman,” Dumbledore asked—and it wasn’t really a question.

    Bryan nodded and retrieved the bottle he didn’t remember stocking and poured a neat two-fingers into the glass.

    “If you could leave the bottle.”

    Bryan left the bottle.


    **


    An hour later, the storm outside well and truly one to knock down sheep fences and send the whole sorry mess of loose cliffs and quarries along the coast crashing into the dark depths of the sea, Harry still sipped at his first glass of wine and Professor Dumbledore had seen off a third of the whisky bottle before him.

    “He should not be much longer now,” Dumbledore said, a mild slur to his words.

    Harry nodded and tilted his glass in the dull light, so the liquid shone red on the bar in refracted patterns. “I worry some sacrifices are too much to ask,” he said.

    “Nonsense,” Dumbledore replied.

    “Only two horcruxes left,” Harry mused. “The one we’ve come for tonight, and the one…” He rubbed at his scar. “Well, not to dwell on sacrifices.”

    Dumbledore removed his left hand from within the folds of his robe and revealed a blackened, withered husk, fingers curled as if with severe arthritis. Faint green lines shone softly along the path of his veins, cracks in the facade. The infection was spreading, deepening.

    “I would drink to that,” he muttered, and knocked back another Firewhisky. “Drink and summon the Avarice.”

    The already dim bar seemed to grow a little dimmer, and Harry supposed the drink had something to do with that. It was like casting a spell, in a way, a slow incantation.

    Harry knew little of the Avarice—the demons that preyed on humanity’s weaknesses, humanity’s addictions. Every human could be influenced by them to some degree, but only magical folk could manifest them into the world. They were something akin to an Obscurus, a manifestation of a wizard’s regrets.

    Harry had read one of the old tomes in Dumbledore’s office and understood the edges of such creatures. The Encyclopaedia Avarice, written by many over the years, an ongoing task that had fallen to Dumbledore half a century ago, and would find another host upon his death, catalogued the demons that plagued humanity. Transcribed and described the Avarice—the unseen race of creatures that fed on people, always, all the time—who seemed to exist to undo the inherent good in the world. The Dark Playground was their home, and they must be fought. One day at a time, as the saying goes.

    At the time Harry had read the book, some years ago now, over four hundred and fifty unique demons, belonging to five unique subsets—sub-races, classes—of Avarice had been discovered and recorded. Demons responsible for Hate, Greed, Envy, Depression, Addiction, and other such sadnesses. Unfair to say they were responsible, Harry supposed, but they certainly profited from such misfortune.

    Albus Dumbledore, Headmaster of Hogwarts, Supreme Mugwump, Grand Sorcerer, Order of Merlin (First Class), was an alcoholic. And he had the liver to prove it. One drink was too many and ten was not enough. For men and women like Dumbledore, having the first drink was like getting hit by a train—it wasn’t ever the third carriage you had to worry about.

    And if he drank enough, if he let it consume another piece of his soul, well… That’s why they were here tonight.

    Harry felt the presence over his shoulder before he saw the creature. He stood up a little straighter in his chair, hand reaching for his cane. Dumbledore sighed and didn’t turn, but looked into the mirror on the other side of the bar, seeing something that wasn’t there.

    “Good evening, Josiah,” Professor Dumbledore said, as the demon stepped into view and leaned casually against the bar.

    “Albus,” the creature whispered with a deep nod, almost a bow. The demon had great respect for the man in his thrall. Josiah’s eyes flicked to Harry, up to his scar. His eyes widened a fraction and he took a deep breath, exhaling slowly. “And the Master of Death himself. To what do I owe the pleasure of this summons, Albus? It’s been half a century since you last touched a drop of drink. I figured I’d never see you again. Not this side of the veil, at least.”

    Dumbledore swayed gently on his stool—drunk, yes, but drunk was like riding a bike to an alcoholic. You never forgot how, and it was all about balance. The demon between them had used the drink to step into this world, borne on the magic of the greatest sorcerer in the world.

    Harry beheld the creature, which looked vaguely human—though one that had been in the ground for a year or more. It, he, Josiah, wore a crumpled suit that hung from his skeletal frame like a wrinkled shirt on a hanger. He wore an old-school top hat on his head, scuffed and torn. Thin strands of straw-like grey hair poked from under the rim. His skin was pale toward green, his cheeks sunken, caved in on the left revealing a smiling jaw of blackened teeth almost to his ear. He had one eye, bloodshot and yellowed. In his right socket was black nothingness, deep and disappearing into the back of his skull. Harry imagined all kinds of worms and legged creatures creeping back there and shuddered.

    Josiah took the stool between Harry and Professor Dumbledore, easing into the worn wood with a creak of tired bones and a grimace to his hollow, gaunt face. Josiah sat as if the weight of the world that hung around the shoulders of the men either side of him was an easier weight to bear than another moment leaning against another bar.

    Harry stared across the bar into the mirror and saw that the demon cast no reflection. He glanced at the Muggle barkeep, Bryan, doing a crossword down the far end of the bar, but if he noticed anything amiss then he had the best poker face Harry had ever seen.

    “Not a social visit, I take it,” Josiah said. A low grumbling, a dangerous growl, came from the fireplace. The old Jack Russell had awoken and was snarling, teeth bared, at the ‘empty’ stool between Harry and Dumbledore. Josiah cast a look over his shoulder and snorted. “I never liked dogs.” He reached over the bar and helped himself to a glass and a small bottle of sparkling water. Again, the barkeep didn’t seem to notice.

    Some sort of perception charm, Harry thought.

    “I ask again, why have you summoned me,” Josiah waved to Dumbledore, drunk in his seat, “for I feel summoned, yes, indeed.”

    “I seek passage to the realm of the Fair Folk,” Harry said.

    Josiah sipped his sparkling water and sighed. “Realm of the who?”

    Harry frowned. “The Fae. Faeries. Sometimes known as the Good People.”

    “No mortal has set foot in those realms in over five hundred years.”

    “We both know that’s not true,” Harry said. “Lord Vol—”

    Josiah cut his hand down through the air. “That creature is no longer mortal. You know that.” He grunted. “Mortals do not return from the Fae. Though,” Josiah said idly, a glint in his single, bloodshot eye, “you are the Master of Death.” He shook his head. “No, the Fair Folk and the human race have been at war for centuries, sadly. This profits you nothing.”

    Dumbledore cleared his throat, his cheeks a comfortable drunken red. “According to our research, not so much at war as…” He twirled his hand in slow circles. “At odds.”

    “I see now why you chose this place to drink your drink, Albus,” Josiah said. “We stand almost on top of the old stone circle. One of the old ways between the worlds. The lock is rusty, yes, the key’s teeth blunt, but the stones still stand despite being buried.”

    Harry grasped his cane and held it low against his waist, as if it were a sword. “We figured a dimension-hopping being such as yourself would know a few backdoors.”

    “What’s in it for me?” Josiah asked.

    Harry frowned. “You’re already feeding on my friend, demon. For the first time in fifty years, and him weakened by dark magic already. The price is paid.”

    Josiah grunted again and took another sip of his sparkling water. Harry thought it idly cruel, wholly ironic, that an alcoholic demon was on the wagon.

    “Are you prepared, Harry Potter?” Josiah asked. “Have you done your homework?”

    “He is prepared,” Dumbledore said, almost disinterested. He looked lost in his regrets, which was the gateway the demon had used, Harry wagered, to step into the Druidstone that evening.

    “Cold iron, holy water, salt for circles?” The demon eyed Harry askance. “Church bells, if you can conjure them, send fairies scattering. A true timepiece to measure the passage of minutes in the real world—mortals have spent what felt like an hour in their realms and returned to find centuries have passed. They crumble to dust, if they’re lucky, before being driven mad.”

    Harry simply nodded.

    Josiah chuckled, exasperated. Such a human emotion looked off on his ruined face. “They assault and torture and eat, Harry Potter. They will know your true name, magic or not. They are alien and ineffable—you mortals are playthings to them, and any plan, any trick, you think you have… they have seen it all before.”

    Harry drank the last of his wine. “Lord Voldemort tricked them. He tricked them into taking a piece of his soul, as if it were their idea.” Harry clenched his hand into a fist. “I’ve given a great deal, as has the man next to you, to unmake the Dark Lord’s horcruxes. Voldemort thinks the piece left with the Kindly Ones beyond our reach. He is wrong.”

    “Do you know why you call them the Fair Folk? The Good People? The Kindly Ones?” Josiah asked. “No, you know nothing.”

    “Why?”

    “Because your race learnt a long time ago, when you still feared the setting sun and the rising moon, that to call them something unkind is a sure way to bring their wrath down upon your head. The concept of empathy, Harry, does not occur to them. It simply does not.”

    “Voldemort must be stopped, and our time is running out. I will go.”

    Josiah sighed and then shrugged. “So be it. I will grant you this.” He clicked his bony fingers and produced a key of bone infused with… iron. He handed the key to Harry.

    “What does this unlock?”

    Josiah waved the question away. “It’ll fit any lock around here—any door in these parts—and open on the realms you’re so keen to visit. God save you. Travel safe, Harry, and take the dog with you. Dogs are useful on the other side. Chatty.”

    Harry glanced at the old Jack Russell, hackles raised, growling in front of the fireplace. He eased himself off the stool and limped over to the dog. The old brown-grey eyes beheld him a touch uncertain until he knelt down on his haunches and offered his hand. The dog—Charlie, read the metal tag on his collar—considered and then licked Harry’s fingers.

    With a gruff bark, to Harry a sound that said ‘let’s be getting on with this then’, the dog hopped out of his basket and approached the heavy old oak door of the Poet’s Bar. Through the dark windows on either side, Harry glimpsed lashing rain and heard grumbling thunder. He eyed the key and, as if it had been made for such a door, slipped the iron-bone teeth into the lock.

    He glanced back at Professor Dumbledore slumped in his stool, the creature of the Avarice next to him placed a thin arm around the headmaster’s shoulders, and wished for things to be different.

    Then he turned the key in the lock, because things could not be different, life was unfair, and the Dark Lord had to be stopped.

    The door swung outwards of its own volition—not on St. Bride’s Bay or the terrible storm—but on a sunlit forest glade, dotted with wildflowers and heady with the scent of pollen, the sweet syrup of honey, about a million glittering butterflies, and a trickling stream fed from a massive waterfall in the distance, under a twilit sky.

    Old Charlie huffed again and looked up at Harry with his Malteser eyes. Come on, that look said. Together they stepped through the door and into the Land of Faerie.


    **

    Bryan blinked down at his crossword and realised he’d been staring at the same question, two-down; injures with a pencil, say, eyes unfocused, for a good few minutes. He looked up and scanned the bar—the fire was lower than he remembered it, and Old Charlie had disappeared off somewhere. Unlike him, that. Once that dog was settled he remained settled.

    Professor Dumbledore still sat at the bar, holding his head in one hand. His friend, Harry, had disappeared, leaving an empty wine glass with crimson stains around the rim—a kiss on the glass.

    Bryan wandered over to see if Dumbledore needed anything and felt the blood in his veins freeze, his heart stop. Out of the corner of his eye, in the stool next to the old professor, he was certain he’d glimpsed a monster—a haggard, ruined figure, gaunt and fresh from the grave, top-hatted and hideous. The creature grinned at him, yellow teeth and a swollen black tongue behind that horrid smile.

    Bryan stumbled forward a step, broke his paralysis, and Dumbledore’s hazy eyes focused on him. “I say, my dear fellow, are you well?”

    Bryan glanced at the stool again and saw it empty, nothing out of place. No demons, no monsters. He licked his lips and nodded. “Anything else I can get for you, sir?”

    Dumbledore considered the bottle in front of him and shook his head. “I have everything I need,” he said.

    “Right you are.”

    Along the coast there is a bay.
    Above the bay arch sea-worn cliffs.
    Atop the cliffs there rests a pub.
    In the pub there sits a man…
    …he does not drink alone.
     
  2. Halt

    Halt 1/3 of the Note Bros. Moderator

    Joined:
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    1,938
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    Male
    Location:
    Philippines
    I like this quite a lot. The concept is interesting, the pacing is pretty tight, and setting/atmosphere is very immersive. Mechanics are also very solid. My biggest criticisms of this piece are with the telling instead of showing when it comes to appearances. Writing this review just two hours after reading it, I can't remember a single description from the story that I didn't already know from canon. It's a small thing I'd probably have edited out and split up into more manageable chunks, interspersed between dialogue and such.

    Another issue is that it feels less like a standalone piece or more the prologue to a grand adventure. A lot of focus is put on the faeries, while Dumbledore's drinking problems are kept small. I would have liked to have seen more words exploring how a demon affects a person with drinking problems. How does that make it different from just normal problems? What does the element of magic bring in to this all? What makes demons scary beyond an intellectual "demons are bad" trope and turn this into a more primal force?

    Instead, this uses the drinking as more of a jumping off point into a greater mystery that doesn't involve the drinking at all. Had there been more exploration of the demons, it could also have been foreshadowing that Harry will have to face them at some point in the story, or use them in a way to advance the plot later on. That would have been more satisfying to read, I feel.

    Still, those aside, it's a solid story that had me pretty hooked after chapter 1.

    Original Concept
    - 3/5
    Characters - 3/5
    Plot - 4/5
    Pacing - 4/5
    Setting & Atmosphere - 4/5
    Grammar & Mechanics - 5/5

    Final Score - 23/30
     
  3. BTT

    BTT Viol̀e͜n̛t͝ D̶e͡li͡g҉h̛t҉s̀ ~ Prestige ~

    Joined:
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    437
    Location:
    Cyber City Oedo
    High Score:
    1204
    Either this is Joe or someone that can imitate him excellently. It's just so... Joe. Then again, I suppose the premise might've lured you out.... Anyway, you took the premise and made it your own. You made it work for you and spun off this world of faeries and demons, oh my.

    But... it really didn't feel like Harry Potter anymore, like you wrote this as original fiction first and threw the HP in later. It's difficult to explain why exactly I feel this way, but it's just... not quite what I'm looking for. Dumbledore's not all that important to the overall piece, just a vehicle to summon the demon of Avarice. Dumbledore and his alcoholism are left nearly entirely unexplored. It's a bit of a disservice.

    Otherwise, the writing's amazing. Prose flows well, setting is well-developed and I can really picture it in my mind's eye, the characters are distinct and interesting. But that sense of it not quite being there is still there for me. It's weird, because while you definitely deserve high marks for the pacing, setting, grammar, and all that, I just can't give you a good grade for the plot, in the end.

    Original Concept - 4/5
    Characters - 4/5
    Plot - 2/5
    Pacing - 4/5
    Setting & Atmosphere - 4/5
    Grammar & Mechanics - 4/5

    Final Score - 22/30
     
  4. Eimim

    Eimim First Year

    Joined:
    Feb 5, 2010
    Messages:
    39
    Location:
    Finland
    This is brilliant. It went in a direction I wouldn't have predicted and made me want to read more from this universe. It's definitely a unique way to fill this prompt and written beautifully enough to accomplish the necessary atmosphere.
    Though I'm enamored with this story, I do think the characters feel a little off. This 'Harry Potter's fits perfectly into some sections of the fandom, not what I would consider canon.


    Original Concept - 5/5
    Characters - 3/5
    Plot - 3/5
    Pacing - 3/5
    Setting & Atmosphere - 4/5
    Grammar & Mechanics - 3/5

    Final Score 21/30
     
  5. Jarizok

    Jarizok Auror DLP Supporter

    Joined:
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    Gender:
    Male
    Location:
    Deventer
    Original Concept: 3/5
    Characters: 4/5
    Plot: 3/5
    Pacing: 4/5
    Setting & Atmosphere: 5/5
    Grammar & Mechanics: 4/5

    The setting & atmosphere is an easy 5/5 for me. I can see the bar sitting there in the rain, I can taste the mood inside. The innkeeper is easily imagined if prototypical, the 2 Alans so perfect. It doesn’t need more words, it wouldn’t have worked as well with less.

    The prose is good too. There’s some spelling errors here and there (Druidstone/Druidestone), but from a technical perspective I have no complaints. I like the approach taken where we learn about Dumbledore via Bryan rather than through Albus’ thoughts. That’s a two-for-one in character establishing terms.

    I love the languid pace with a lot of room for description. It reinforces the melancholy that’s so noticeable in a bar like this, a situation like this.

    Concept wise, it’s interesting, but we’ve also seen drinking with terrible consequences in order to reach a horcrux before. I like the twist on it, but I dislike the similarities there enough that I prefer to imagine the medallion was protected in a different manner in this universe. I’ve also read a bunch of HP fics with Fae/demons before, so that in itself doesn’t lift the story to a higher level. The execution of the Fairy world and the fleshing out of demons could certainly be interesting, but we don’t see too much of that yet. I’ll say Josiah’s description is nice.

    Finally, I agree with others that this doesn’t really feel like a one shot. It’s an interesting start, or middle even, but it’s an excerpt. I want some kind of ending for the plot.

    Final score: 23/30
     
  6. Zombie

    Zombie Black Philip Moderator DLP Supporter

    Joined:
    Apr 28, 2007
    Messages:
    6,036
    This is a well executed piece. Like has been said, the pacing is tight, I don't get lost on other tangents. There are not many fics I've found that include Fae and Demons in Harry Potter that have been well executed. Its a toned down version of Wastelands and Unfound Door. There is the same amount of mystery, but the ramming of demons and fae into my face at every second is absent, because those were forced insertions of characteristics in an existent world. This world you've built here feels like one cohesive place, and I don't have to make any leaps in logic from my understanding of canon to make it make sense.

    Its great. I could have used a bit more, this was more than a tease if anything.


    Original Concept - 3/5
    Characters - 3/5
    Plot - 3/5
    Pacing - 3/5
    Setting & Atmosphere - 4/5
    Grammar & Mechanics - 3/5


    Final Score 19/30
     
  7. Anarchy

    Anarchy Half-Blood Prince DLP Supporter

    Joined:
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    Messages:
    3,679
    Location:
    NJ
    Original Concept: 4
    Characters: 4
    Plot: 3
    Pacing: 3
    Setting & Atmosphere: 5
    Grammar & Mechanics: 5
    (24/30)


    It's pretty obvious who wrote this one, but that's not necessarily a bad thing. As a piece meant to hook the reader, I am hooked, and I would like to read more. However, I do feel like you got sidetracked a bit from the prompt (though expanding upon Dumbledore being an alcoholic with an actual demon is interesting), and it does feel a lot more like Dresden than Harry Potter. Not necessarily a bad thing as I am a fan of Dresden mechanics as well, but Harry didn't really feel like Harry here, just another stand-in.
     
  8. Sorrows

    Sorrows Queen of the Flamingos Moderator

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    Oh hey Joe, glad you got your entry finished.

    It is of course well done. I think that this is a solid take on the premise, Dumbledore needed to break decades of sobriety to make plot happen, the consequences of which are explored, so I would say that fulfils the parameters of the prompt and makes it central to the story. Plus it was set in a bar.

    Original Concept: 4
    The idea is well realised, though the meat of it is perhaps sacrificed for atmosphere. In a peice this short it's a smart tradeoff if you are going for impact. I would have liked to explore the demon/drinking connection further but that might have killed the pacing somewhat. It definitely read as an prologue but nobody said the story written had to be self contained. On those terms the concept for this peice as a take on the prompt feels original, even if the implied story feels like it might have cribbed heavily from the Dresdenverse.

    Characters: 5
    Very well done, though the unfamiliar charecters here kind of feel more interesting than Harry and Dumbledore. While it fits with the style of the writing, the main description of Dumbledore from the barkeepers pov felt a little indulgent/over flowery. Harry felt a little under done. Perhaps a little more reaction from the other patrons and the barkeepers after the summoning would have made them feel less like set dressing during the middle.

    Plot: 4
    As a prelude to greater things it works well. It has a clear setup and resolution, implying more plot in the future. Perhaps it would have been nice to have some kind of tension or drama in the middle to give it a bit more spark since it stands alone bit that's personal taste.

    Pacing: 4
    As said before it has a solid structure that does the job. Each section is well balanced and the build up is very well handled.

    Setting & Atmosphere: 5
    This is where this story shines. The description of the pub is masterful and the deft touches paint a living breathing picture you can just sink into.

    Grammar & Mechanics: 5
    Yeah I didn't notice anything after a careful look but that really means nothing. The sentence structure and flow was smooth and particularly well controlled. Especially at the beginning where all that languid description could have easially veered off into long-winded self indulgence if not properly restrained.

    27/30
    I am a sucker for this kind of thing.
     
    Last edited: Dec 28, 2017
  9. Shinysavage

    Shinysavage Madman With A Box ~ Prestige ~

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    I feel similarly about this as I did #2; very nicely written, strong start to a fic, but limited engagement with the prompt (albeit, more so than #2). Great atmosphere, and I really enjoyed the little bits where Bryan assessed Dumbledore and Harry - on which note, although there isn't much to explain the differences between canon and this AU, they're written well enough that you can fill in the blanks enough to roll with it for now. The Avarice as a whole is a great concept, and Josiah was very effectively done. I'd love to read more, although at this stage the plot doesn't seem that innovative.

    Original Concept - 3/5
    Characters - 4/5
    Plot - 2/5
    Pacing - 4/5
    Setting & Atmosphere - 5/5
    Grammar & Mechanics - 4/5

    22/30
     
  10. Ched

    Ched Da Trek Moderator DLP Supporter ⭐⭐

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    I'm going to read/review without reading any of the other reviews first. I personally do this by opening the thread twice, then hitting 'reply' on one of them. Then I make comments as I read.

    Well, my initial reaction is... YAY LIGHTHOUSE! Because I have a thing for lighthouses. Also great intro - love the detail you've put into it. For example this isn't "a forest somewhere in Wales" - it's "Pembrokeshire National Park in coldest, darkest Wales."

    Thumbs up.

    Fantastic job setting the scene. New location and everything but it feels right, but more than that you've twisted magic into the setting by mentioning things like ashtrays in context of influence and confluence.

    And this is a tricky thing to do so well - because I'm starting to get invested in Bryan already. And he's no one from canon, and there's likely no more to him than you've put here so far. But the setting and the imagery of his pub with the extra rooms on top, and how there's so few people around this time of year, paints a picture that draws me in to wanting to know more.

    Ooh, the 'Avarice' is a really neat concept.

    The whole damn story is a really neat concept, and the prompt was included in a very... straightforward way.

    Dumbledore doesn't drink because he's an alcoholic. I can get on board with that. Harry didn't discover the alcoholism but he did discover the demonic Avarice aspect of it, so that's fine with me. Certainly close enough.

    Original Concept: 5
    I haven't seen Alcoholic!Dumbledore before, and I certainly haven't seen the "Avarice" demon concept before, and that was central to the story and the drinking aspect of things. You didn't invent the Fae but still, full points since you also managed the prompt.
    Characters: 5
    They both feel like themselves but in a situation that neither of them is quite Happy with. So they are out of their element but neither felt off. Harry did feel older but you took care of that by describing Harry - who habitually seems to look young - as being in his mid-20s by the barkeep. So that sorted that.
    Plot: 4
    The plot seems to be that Harry needs to get Voldemort's horcrux, which has been left in the Fae realms, and this is the most expedient way of doing it. The goal is to get there - perhaps in a longer story I'd want to see that part, but for a short story like this I'm perfectly happy with the resolution being his entry into the other realm. Clear beginning, middle, and end.
    Pacing: 4
    I couldn't stop reading because I was invested, but the pacing was pretty steady the whole time. Never really sped up... I guess it didn't need to though.
    Setting & Atmosphere: 5
    Unique and interesting.
    Grammar & Mechanics: 5
    Didn't notice anything out of sorts here.

    Edit for
    TOTAL: 28/30

    Those are... high scores. But if I was rating this in the library I'd probably call it 4.5/5 rounded up, so I suppose it makes sense.
     
    Last edited: Dec 29, 2017
  11. Nemrut

    Nemrut The Black Mage ~ Prestige ~

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    Well, I have mixed feelings on this, I have to say. It starts out fantastic, and I really loved the pub and Albus drinking there alone. i loved how much character you gave to the setting and made us feel like we were there and it was super interesting. That was true when Harry arrived and gave the bartender new knowledge.

    However, afterwards the story shifted gears and I have to say, I found myself more irritated and confused than interested. Harry was the Master of Death yet Voldemort was still a thing and Dumbledore was kinda alive and not really maybe and then there was a summoning and the fae and it kinda became a mess where I was trying more to keep up with all those weird things.

    At the end, I did understand what the story was trying to do but it didn't feel complete and more like the start for something else. The shift in POVs was also a bit jarring at times and honestly, was not super blown away by the later stuff. I honestly felt it would have served better as a one shot if you had focused on just the pub.

    That said, that's just me and not really a fair thing toe valuate the story on, for not doing what I would have liked it to do.

    So yeah, good entry but with a way stronger start than its middle and end.

    Original Concept - 4/5
    Characters - 4/5
    Plot - 2/5
    Pacing -2/5
    Setting & Atmosphere - 5/5
    Grammar & Mechanics - 4/5

    21/30
     
  12. AlbusPHolmes

    AlbusPHolmes The Alchemist

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    I'm tempted to just be extremely lazy and post the scores because there's little to be said other than this is magnificent.

    Original Concept - 5/5

    Given the character involved, my first impressions are that the prompt just screams for something fun, something ludicrous, something larger-than-life. This is not at all what I would have expected, and it's a huge testament to your writing chops and idea-factory (excuse me while I go sob about my own distinct lack of imagination in this regard). Alcoholic!Dumbledore haunted by literal demons, a jaunt to Faerie, MasterofDeath!Harry - what's not to love?

    Characters - 5/5

    It takes a skilled writer indeed to take an established character and spin them in dimensions and angles that we don't typically see, and this story nails it. It's a short list of writers who can write Dumbledore well, and an even shorter list who can write him masterfully, and here we see an example of the latter. In broad strokes and surgical details each character is crafted well - hell, even the dog has a personality and feels tangible. Nothing more to say here. 5/5

    Plot - 3.5/5

    I docked a point here solely for the reason that I expected, and as the story wound on, selfishly wanted a full-fledged, self-contained story - and this instead feels like the a window into the beginnings of something much grander. If the author who I think it is (I'm looking at you Joe), then I fear this may very well remain like this and never get expanded on, which is a big ol' shame. For what is here, we have a veritable lesson in how to hook a reader in the space of a few thousand words and leave them wanting more.

    I took another half-point off because as others noted, this story fulfills the tenets of the prompt in only the most basic of ways, and uses it as a launchpad for an altogether different tale. Dumbledore here doesn't feel like the principal focus here and that kinda goes against the spirit of the prompt.

    Pacing - 4.5/5

    The story moves at a languid rate, and in the hands of a less-realized writer, it might have almost began to drag, but there's just enough slowing and moving along that reading this felt much like what I imagine riding in a boat on a slow-moving river would be like - calming, peaceful, unhurried, despite the fact that we can still get a scene of urgency at the stakes involved in the plot.

    It's a hallmark of your writing Joe, and the only other writer I can think of who does this is Rothfuss (more on this below), so that's a feather in your cap. Well-done on this front.

    Setting & Atmosphere - 5/5

    Scene-setting and descriptions and immersion are done here better than most published novels I've picked up, even the good ones, and this is a credit to the heights to which fanfiction-writing can be taken to - though you're cheating Joe, since you are a published author.

    As an aside, It might be the elements of a dreary, wintry night, a weary bartender (Kvothe), bar (The Waystone vs Druidstone) setting, or the little book-end rhymes, but I caught rather strong whiffs of The Kingkiller Chronicles wafting from the story instead of the Dresden Files flavor most reviewers seemed to have gotten.

    Grammar & Mechanics - 4.5/5

    I docked half a point purely because I was feeling spiteful and there was some confusion as to whether it was Druidstone or Druidestone.

    Total Score - 27/30
     
    Last edited: Dec 30, 2017
  13. Jeram

    Jeram Elder of Zion ~ Prestige ~ DLP Supporter

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    Original Concept: 4/5 - Combining demon/fae mythos with harry potter isn't that common at all, and rarely done well. This felt interesting.
    Characters: 3/5 - Although the characterization was intriguing and the new characters with depth, the existing characters (Dumbledore and Harry) felt like pieces of paper with pictures of the characters pasted on them.
    Plot: 3/5 - It's certainly a fascinating concept, the only issue is that, like a lot of these, it felt like the setup to the cooler part of the story.
    Pacing: 4/5 - The story flows quite well, a slight slowness at the start, but once it gets going, you gotta keep reading.
    Setting & Atmosphere: 4/5 - It's a great atmosphere here, a feeling of something you can see in your head and immediately get a sense of this different HP world.
    Grammar & Mechanics: 4/5 - No mistakes here, but I found it a bit drawling and pretentious at first.

    The opening did not really get me that interested, I felt like I had to force myself to get through the first few paragraphs about Bryan, a man who I did not care about and still do not care about. Once Harry showed up, I really liked everything that followed, even if, as I said above, it didn't really feel like Harry Potter to me. It's a cool concept, and certainly one that has real promise.

    I didn't notice anything that told me who this author was explicitly, nor do I care. Obviously there is a lot of care and quality to this writing, and it's something that mildly interests me. But it's kinda dreary and overwrought, which means I need to be in the right mood to read something like this.

    Score: 22/30
     
  14. Thaumologist

    Thaumologist Fifth Year ~ Prestige ~

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    Original Concept 5/5

    You gain bonus points for not only fitting the challenge, but making it an integral point of the story. Albus' drinking is important in the greater world than just the snapshot we've seen here.

    Characters 4/5

    The characters feel like they are from Harry Potter, but aged up. Which makes sense, as you're telling a story about older characters... But you could probably file off the names, do some rejiggering and have an original story.

    Plot 3/5

    Clear beginning, and end. For a oneshot, this is fine - telling the story of Harry prepping to get to fairyland.
    As the beginning of something greater, it works pretty neatly too.

    But it feels a bit lacking. I think because it reads like the first chapter of something, it doesn't feel finished. You certainly could call it so, but it doesn't reach the true ending.

    Pacing
    4/5

    As is, this is fine. It felt slow to read, but as you expanded the descriptions, and packed the story pretty densely, that was alright.

    Setting & Atmosphere
    5/5

    Feels rich, heavy, and weight with age. I'm not sure I could read through a whole story of this, because much like a rich meal, you'd need to take breaks, but for the length, no complaints here.

    Grammar & Mechanics
    5/5

    One or two spots I might have added an extra comma, but I know I overuse them. Nothing else, really.

    Total score out of 30 26
     
  15. Methos

    Methos High Inquisitor DLP Supporter

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    Edit:
    I went back to read the rules of reviewing the stories, and found this:

    I suck at writing reviews English, it doesn't come to me naturally
    So i'm deleting my review.
     
  16. Meerkats

    Meerkats Unspeakable

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    Original Concept: 4
    Characters: 3
    Plot: 2
    Pacing: 5
    Setting & Atmosphere: 5
    Grammar & Mechanics: 4


    This story is excellent, I really wanted to read more by the time you were done. In a short time you set up so many interesting plot lines and character back story that a 200k+ word epic could naturally spring from this. The atmosphere is great, I was sucked into the setting, the pub and the general environment.

    I'm being harsh with my plot rating because of all the praise I just gave the story. It's not finished. Sure it includes the prompt and explains Dumbledore's reasons but it's not a complete, self contained story and I have to dock points for that. It might seem unfair but there's a lot of value in having a finished story with an impact rather than an abandoned prologue.

    23/30
     
  17. World

    World Oberstgruppenführer DLP Supporter Retired Staff

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    Love the atmosphere and the descriptions, and a nice variation on the idea why Albus shouldn't drink. It's a great start to a story,

    and although you have taken steps to make it more self-contained, one anticipates the following chapters of Harry's faerie

    adventures (which are only somewhat connected to the avarices which relate to the prompt)

    Original Concept - 4/5
    Characters - 5/5
    Plot - 3/5
    Pacing - 4/5
    Setting & Atmosphere - 5/5
    Grammar & Mechanics - 5/5

    26/30
     
  18. ScottPress

    ScottPress The Horny Sovereign –§ Prestigious §– DLP Supporter

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    Over the week of voting I've realised more and more how tough the prompt actually is. It seems entirely unthreatening, but how do you take something as old and written about as drinking and imbue that with something novel enough for people to take notice? As a tangential thought, I wonder how many different drinking establishments you've written into being in your many and varied stories, Joe.

    Original Concept: 4/5

    Again, it's hard to argue why this shouldn't get full marks here, because even though the prompt is unforgiving, this submission spins the old trope of weary drinking buddies in an interesting way. I suppose I was expecting one of the entries to just pull out something really out there, hardly anchored in the familiar and knowable, something alien, that lets itself go. So far, I haven't seen that, but I can't deny the obvious quality here.

    Characters: 5/5

    You've arrived at that stage Joe where your writing is good for a reason no one can quite put into words. There's an undescribable factor there that really shines through. You handle your character well. Kudos.

    Plot: 2/5

    This is where I include adherence to the prompt in the grade. What's complaint... Harry didn't find out why Dumbledore doesn't drink. He had read the book, he already knew before Josiah showed up. You were pulled along by your own idea into launching towards some plot, some mystery, and in effect Dumbledore and his demonic drinking buddy were left behind in favor of Harry going somewhere to do something, where Josiah should be the main attraction. His arrival, indeed, the reveal of Avarice should be new information to Harry, not worldbuilding flavor. You did sort of execute the prompt, but not quite.

    Pacing: 5/5

    Yeah, you know what you're doing.

    Setting & Atmosphere: 5/5

    See above.

    Grammar & Mechanics: 5/5

    Mhm.

    Total score: 26/30
     
  19. Oz

    Oz For Zombie. Moderator DLP Supporter

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    Found this one to be a really enjoyable entry! The opening had a nice hook, Dumbledore and Harry's interactions were good, and it was a nicely encapsulated story that hinted at a good possible followup.

    Usually, I find a lot of fics that try to include mythical elements like the Fae, demons, unspeakable eldritch horrors, or whatever, fall really flat. They end up really poorly and pretentiously written, they don't mesh them well with the HP canon and they just scream "try-hard" to me. You've done a really good job of it and avoided those pitfalls. The Avarices could have very easily gone into shitty edgelord territory, but Josiah was enjoyable and well-rounded from the little we saw of him, and it could be expanded into something very cool.

    Can't fault the characterization either. You captured the mood of the weary, worn-down Dumbledore from the end of HBP very well, and a slightly more jaded but mature Harry. The little details you threw in like the cane, the knee-rubbing, the way he speaks to Dumbledore and Josiah, hints at an older Harry who's been traveling with and learning from Dumbledore for quite a while now.

    Kind of got confused over the opening paragraph. For some reason, my brain kept tripping over the word 'arch'. Probably just me being stupid though.

    Just one thing really bothered me and that was adherence to the prompt itself. While I think it was done very well and added to Dumbledore's character for the sake of the story, the prompt was "Harry discovers why Dumbledore doesn't drink", and your approach felt like a bit of a cop-out. I docked a point from Original Concept there.

    Overall though, really enjoyed it. 5/5 if this were For Review.

    Excited to see more if you ever continue it, although I feel like that probably won't be the case.

    Original Concept - 3/5
    Characters - 5/5
    Plot - 4/5
    Pacing - 4/5
    Setting & Atmosphere - 4/5
    Grammar & Mechanics - 5/5

    Final Score 25/30
     
  20. Stealthy

    Stealthy Groundskeeper

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    Original Concept - 4/5
    Characters - 5/5
    Plot - 3/5
    Pacing - 4/5
    Setting & Atmosphere - 5/5
    Grammar & Mechanics - 5/5

    Overall: 26/30

    Obvious winner. Not going to bother with the full breakdown, as it'd just be a bigger and sloppier blowjob than is ever necessary.

    Great scene setting. Prose of a professional (oh man wonder why). Have a good sense of character for everybody. The pacing is a bit bogged down by how heavy and dense the prose is, but it works with the tone and flows well enough. The plot is minimal, but everything's executed well enough to compensate. This does function as a oneshot, but is a bit annoyingly halfway to being a prologue as well. Still quality. Tying Albus' alcoholism into worldbuilding was a neat idea. Bought you an extra point. Your tone and approach to the Harry goes to the Fairy Lands concept is the right kind of spice to keep that from being an eye-roller.

    Hope you have a good idea for next month's prompt.
     
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