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Entry #1

Discussion in 'Q2 - May - Shorter Stories' started by Xiph0, May 16, 2020.

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  1. Xiph0

    Xiph0 Yoda Admin

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    Sal and his team were in the middle of a large room, looking at the final product. It was a strange-looking, cuboid erection of enchanted gadgets and metallic plates, with two elongated and enlarged brooms; one on each side of it.

    Other wizards and witches were around it, taking notes, poking parts of it with wands, muttering spells under their breaths, as they observed it.

    "The fuck?" Sal muttered in disbelief.

    "So this is what they came up with," his colleague commented, sounding amused. Another one, however, remained silent. It was how they were; one talked too much, and the other barely said a word.

    "Cut the crap, Binge," Sal finally said. "I'm actually riding this..."

    "You volunteered," Binge reminded him, and he heard a sound from Rowle's direction. A chuckle, perhaps.

    "Shut up," he replied, his eyes passing the room.

    "Let's go," he added, when he found their target. "We need to familiarize ourselves with it."

    "Do we have to?" Binge whined. He often did so.

    "Shut up."

    They advanced toward an older, sallow-skinned wizard who sported a mournful expression on his face. He was reciting to his enchanted quill in a monotone, dull tone.

    "...braking charm needs some work, the inertia is far too strong for it. The charm might fail, hmm. It seems the tank gets damaged when the powder starts burning, yes, reinforcement is needed..."

    "Bode, mate," Sal started loudly, but the wizard just continued his evaluation. Sal, expecting it, sighed.

    "It's pointless, boss," Binge said helpfully, earning a glare from Sal. Rowle, on the other hand, inspected the supposedly damaged tank.

    "Yell when you're done," Sal said to Bode, once again to no avail, and turned toward his teammates. "Alright then. Binge, run to Croaker. I don't want to see your ugly snout back till you find out what our target is."

    "It's not that ugly," he retorted, conjuring a small mirror to observe himself before obliging Sal's orders.

    "Why do I have to put up with that idiot?" Sal asked Rowle but received no answer. "Nevermind. Let's see if we can figure this thing out, alright?"

    The quiet chap just nodded, and joined other wizards in the poking of a hideous pile of metal. Sal observed them as they did so, with a neutral expression on his face, going over the doubts he had on his mind.

    The structure seemed solid, but nothing DOM created before managed to survive the harsh conditions of space. Wizards usually didn't bother with the space, but the order to do so came from the top, something about the important mission, so they made an exception.

    "Navigator," Bode broke him out of his thoughts. Trust him to come up with such a boring title.

    "Yeah?" he asked absentmindedly, still observing Rowle doing his job.

    "A word?" Bode said, a bit louder. Sal finally turned towards him, amused by his irritation.

    "Go on."

    "You were informed about the importance of this mission, correct?" he asked and Sal rolled his eyes. Why were older members of the department such a bores?

    "Verbal answer, please," Bode said sternly while Sal tried his best not to laugh in his face.

    "Sir, yes, sir!"

    "Good," Bode missed his humor. "Your mission is a simple one; approach Mars and look out for any astronomical inconsistencies, unnatural happenings, and traces of magic," he droned, and Sal frowned. It was too vague, and that made him worried.

    "Any questions?"

    "A couple," Sal nodded, and pointed at the ship.

    "How does this thing run? I heard something about floo powder?"

    "Right," the older man began. "Your charm master will be able to explain to you the enchantments used so I'll just briefly go through the process of it."

    "Sure," Sal agreed.

    "The floo powder is used as a fuel. It will be ignited at regular intervals, each of which will give you the boost that will take you by, approximately, 2% of the distance, and waiting time between them is five minutes. Brooms are used as controls. You'll use them to circle Mars once there. Clear?"

    "The fuck? So powder, once ignited, can't be, I don't know. Extinguished?" Sal asked, and Bode's lips turned into a straight line, in annoyance to his choice of words, Sal guessed.

    "Correct," he said at last.

    "You gonna tell me more about the mission?" Sal asked bluntly.

    "No. I am not privy to more information. My partner on this project, Croaker, is charged with the details. Now, if that is all?" Bode asked, but didn't wait for an answer, as he simply turned around and pulled out his enchanted quill once again.

    "Shit," he muttered. He went through his memory, trying to recollect every single piece of information he knew about Mars, but nothing ringed the bell. Astronomically, it was of no importance and any occurrence that could happen around it was natural.

    Then, he entertained his limited knowledge of Divination. The bringer of battle, they called it, and Sal wished he could seek out Centaurs to put some light on it for him.

    "Boss," Binge finally returned. For once, the younger man looked serious. Sal noticed it, and yelled for Rowle to come over.

    "So?"

    "So we leave tonight!" he whispered. "What the fuck, boss?"

    "Shit," Sal cursed, furiously thinking about the hidden meanings of a sudden change of plan. "What else?"

    "I wrote it down for you. Here," Binge offered him a piece of parchment. "Just take it."

    A red stone on a red rock

    A red rock for a red eye

    A red eye under a red sky

    A red sky over a red planet

    A red planet above them all

    Sal read it twice. He glanced at Binge, hoping this was some kind of a sick joke and when he noticed his grave face, he read it once again. He took a deep breath, blinked, and pushed the parchment towards Rowle who took it without a word.

    "Binge."

    "Boss?"

    "Please tell me this is not a prophecy?"

    "This is a prophecy," he said flatly.

    "FOR FUCK SAKE!" Sal started pacing back and forth. Yet another thing to worry about. "They'll kill us to fulfill some self-fulfilling shit."

    "What do you think it means?" Binge asked curiously while Rowle still observed it, a deep frown on his face. Sal shook his head, trying to clear his thoughts, and to figure out the very same.

    "Why tonight? Why now?" he thought aloud. "Rubies? No, that doesn't make sense. A metaphor, but for what? What if? OH."

    "What?" Binge asked.

    "Red planet and red rock may be the same thing, I think."

    "And?

    "And it means that the prophecy is circular," Sal concluded, but Binge just blinked stupidly.

    "Not a Ravenclaw, huh?" Sal smiled fondly, remembering the old riddle. "The circle has no beginning, don't you see?"

    It was a simple explanation, Sal knew, and it will satisfy Binge, but his sharp mind hasn't stopped working out all the possibilities lurking in a simple, but unsettling poem. He was no stranger to prophecies for the larger part of their department was occupied by those follies blabbed by drunk potions addicts.

    He didn't want to share his worries with a team just yet. The hierarchy in their little group was clear; Sal was the boss and he knew what was best for them.

    It wasn't easy, being the boss of a team in DOM, and Sal dreaded it, but someone had to do it and he knew that he was the best for the job. High-ranked officials knew most of the subjects that were studied down here, and they understood the need to keep them in secrecy because most of them were powerful or dangerous. Or both. A good boss, Sal reckoned, knew what to share with his team and what not to because his first and last responsibility was to keep his boys safe, and that included keeping them safe from themselves.

    Two of them, Binge and Rowle, were good boys, but young and inexperienced, and they were yet to make a last step in the department; where they encounter something truly tempting, something people would kill for, something life-changing. He observed them, knowing that they will be his only companions on a dangerous adventure.

    "Alright guys," he finally decided on the course of action. "Go say your goodbyes, kiss your wives, whatever, but make sure you're here in two hours, ready to go."

    "Sure thing," Binge responded casually as Rowle curtly nodded. Sal patiently waited for them to leave the room before he followed, heading for Croaker's office; there was more he wished to discuss.

    "Enter," Croaker shouted, after Sal's knock was heard. Sal entered the small office and nodded to him. Saul Croaker was one of the best minds nowadays, an expert on the time and, all in all, one hell of a wizard.

    "Figured it out yet?" he asked, much to Sal's annoyance.

    "Cut the crap, Croaker, will you?" he said hotly. "This is not a joke."

    "I'm aware," he nodded. "That's why we picked you for the mission. Long before you volunteered, in fact."

    "That so?" Sal was unimpressed. "Just tell me what to expect."

    "We are not sure, but..." he hesitated.

    "But what? We're going to a fucking Mars. I'm aware it's dangerous, knowing too much, but you have to give me something."

    "As I said, we are not sure," he insisted, but Sal had enough of it. He slammed the desk with his palm.

    "I won't let the idiocy of the department to endanger my team! Either tell me what's the deal or I'll curse that ship into the dust! You hear me?" he threatened as Croaker sighed, unperturbed by his outburst. He took out the file, and Sal winced when he saw his name.

    "Basal Leroy," he read. "Achieved 12 O.W.L.s and 8 N.E.W.T.s, all of them Outstanding. Said to be brilliant, open-minded, with a knack for solving problems, reported to have strong moral principles, poor manners, and generally chaotic personality.

    "Is that really the reason why you picked me? A passable file?"

    "A passable file?" Croaker scoffed. "We were aware of you ever since you joined the department, and have kept a close eye.

    "Go on, then. Read the next line, look me in the eyes and tell me that it isn't the main reason why you've picked me!"

    "No living relations. After observation, only noticeable personal contacts are the members of his team," he obliged, closing the file after he finished. "We picked you because we know that, whatever the circumstances, you'll do the right thing."

    "Right thing, my ass," Sal hit the table again, slightly raising his voice.

    "And you'll have a little help," Croaker continued, pulling something from a drawer of his desk. Sal immediately recognized the device; it resembled an hourglass on a necklace.

    "Time-turner," he whispered, accepting it carefully.

    "You know the laws, I presume," Croaker said. Sal nodded, still in awe of magical device in his hands.

    "You'll give it to me? Just like that?" he asked, breaking out of his stupor. There was a strange emotion in older man's eyes which Sal couldn't decipher; neither sorrow nor hurt, but something more. Sal decided to ignore it, and opted to try one last time.

    "What's up there, Saul? What are you afraid of?"

    He waited in silence, for a whole minute, hoping to receive any sort of answer. Anything that would help him keep his team safe. Finally, he nodded in resignation and was about to leave the room when he heard Croaker's voice.

    "Basal?"

    "Yeah?" he asked, without turning back.

    "I'm sorry," he said, and Sal stood there a second more, before leaving the room without a word.

    The interior of their new spaceship was even stranger. There was a single window at the front of it, occupying the whole side. It featured three comfy-looking chairs, with a middle one being a bit fronter than others, joined with an improvised control panel. In the middle of the room was a giant periscope, connected to the modified Pensieve, that could make the recordings of what was seen through it.

    Surrounding the ship, there were dozens of ministry officials, furiously taking notes and doing last check-ups.

    "Five minutes," emotionless voice warned.

    "Gather up," Sal yelled, aware of silencing charms around the ship. "We've a little time so I'll be brief."

    "What's up, boss?" Binge asked and Rowle sat in his chair.

    "This whole thing is a bit... Shit, I've no idea. Let's just say that everything is hush-hush, and I don't like the feel of it so stay sharp and don't drop your guard."

    "Copy that," Binge joked, and Rowle smiled a little. Judging by their reactions, Sal knew he didn't manage to present the seriousness of the situation properly and cursed under his breath. He'll have to remain calm for all of them, then.

    Last checks were done and three of them took their places, nervously waiting for a countdown. The roof opened, showing the sky, and the ministry staff backed away from the ship.

    "Ten," it started.

    "BUBBLE-HEAD CHARMS," Sal instructed, putting it up himself.

    "Seven."

    "POINT-ME, BINGE!"

    "GOT IT, BOSS."

    "Five."

    "IGNITION STARTED. ROWLE, GET READY"

    "Cooling is ready, sir," Rowle said, causing Sal to smile. Those were rare moments.

    "Three."

    "HERE WE GO, BOYS. GET READY!"

    "Two."

    "One."

    Sal hadn't heard the next line because, at that moment, a sparkle has connected with a tank, igniting the powder within it; the first dose of it incinerated instantly, violently throwing their vehicle upwards and causing a deafening explosion.

    A process of burning produced a tremendous amount of thick, green smoke that filled the room they left behind in an instant; it spread through it within a seconds, much to the dismay of people who were caught in it and had fits of a dry cough.

    In all the commotion, no one noticed two older men, one at each side of the room, raising their wands and beginning to chant. Their spellwork produced more smoke; a gauzy, whitish mist slowly flowed through their wands, merging with a bigger, more obvious cloud that was already there.

    Leisurely, they waited until the smoke cleared. As the mist arose, leaving the room visible once again, the unconscious bodies of ministry employees came into the sight of two men, each of whom had a large bubble of air around their heads.

    "To work, then," Croaker said grimly.

    "Indeed," Bode replied, his wand already raised as he approached the closest person.

    Many miles up, where no wizard has ever been, the first dose of powder has exhausted. The ministry-made machine, first of its kind, slowed down. Its occupants wore the same expression of disbelief as they exchanged their spots at the front, to get a better look towards the Earth.

    "Gentlemen," Sal started, a small smile on his face. "Welcome to space."

    "Merciful magic," Rowle stated gently, surprising the others.

    "It looks kinda nice from here, don't you think?" Binge said matter-of-factly, smiling widely.

    "What do you mean?" Sal asked, already preparing the course for the next boost, leaving the two of them to enjoy the beautiful view.

    "You don't see all the shit going down there from here. It seems... Peaceful?"

    "Oh," Sal simply said, but he understood what his teammate wanted to say. Sal, however, had another word in mind to describe the view. It was pure.

    "Alright then, grab your seats. We've got a long way in front of us."

    They traveled further and further, encountering more celestial bodies, gazing at unseen wonders, and slowly, but surely reaching their destination. The travel itself was highly uncomfortable. The method of it felt similar to normal floo travel, but with a much sharper edge to it; where one would naturally and gracefully land from the fireplace, here he was thrust forward, through the very space and time, and couldn't do anything about it. It felt like a first Portkey travel combined with being hit with Slug-vomiting charm.

    Finally, after many more sickening experiences, they set eyes on their destination, and they were all glad for it.

    "Switching to manual," Sal warned the team.

    "Do we start the search here?" Binge wanted to know.

    "Search for what?" Sal muttered. "No, not yet. Rowle, see if there is any damage on the tank and check the charms, will you? And you, Binge, locate Phobos and Deimos. I don't want any surprises, is that clear?"

    Positive grunts were his answer, and Sal focused on riding a ship, observing the reddish surface of the planet. Revising the prophecy in his head, he decided it was most probable that their target would be found on the planet, rather than around it.

    "Braking charm is in bad condition, sir. We'll have to fix that if we want to land anywhere," Rowle informed him. "Tank is fine, but we've spent much more fuel than we were ought to."

    "Is there enough to get us back?" Sal asked what he thought was the most important question. Quiet guy remained silent for a few moments, thinking it over.

    "We're few boosts short, I think," he finally decided, and Sal sighed. Trust ministry to fuck up with the dosage, cheap bastards.

    "Can you interfere with a charm that sets intervals?"

    "Yeah," he said, but Sal heard the hesitation in his voice.

    "Leave it. I'll figure it out later."

    "Moons are far, boss," Sal heard Binge saying. "Some rocks flying around, but if we keep this course there's no threat of collision.

    "We'll be approaching surface soon," Sal informed him.

    "No threats there," Binge added, and Sal nodded.

    "Sweet. We can start recording then. The sooner we're done here..." he trailed, his eyes fixed on a planet, searching for any kind of abnormality, but finding none. That only served to increase his worry.

    "Rowle, take the periscope, get a closer look to that mountain over there," he pointed it out, and started to lower the height, slowly orbiting closer to the planet.

    "Binge, a sensor. As wide as you can, but focus on that mountain. Try to get through it. I don't want any nasty discoveries, okay?"

    "Got it, boss."

    The mountain chains were massive, stretching widely in the dist, with a convenient notch visible every few miles; one of which Sal was aiming for.

    "Rowle?" he inquired as they closed the distance.

    "Nothing, sir, but dust and stone."

    "Binge?"

    "Uh, I think I got something, just behind the mountain. Not sure though."

    "Rowle, help him. I want to know every inch of what awaits us. Clear?" he said seriously, and it affected his crew. He was happy how they were handling the situation, and was glad they listened without any fuss.

    "We're closing in. Hurry up!"

    "On it, sir," Rowle grunted, sweat visible on his face, as he concentrated on a charm they were holding.

    "EVERY MOMENT NOW!"

    "Receiving feedback, just a sec."

    "Just talk to me, Binge," Sal demanded.

    "Alright, alright, here we go. A boulder maybe? But it has a lot of uneven surfaces, all of them seem flat," he said, stopping to concentrate harder.

    "I need dimensions, movements, coordinates..."

    "Its height is, um, 20 feet or so, and maybe seven and a half in diameter," he explained. Sal listened closely, his mind going over the possibilities, as he did his best to command the ship closer to the notch.

    "No movement," Rowle added. "There's a wold behind the mountain, and this thing is just sitting in the middle of it, a few miles away from the curve."

    "Good. We'll get a visible in a minute. Rowle, be ready to ignite the tank in case there's trouble. Binge, to the periscope," he instructed. The edge was close, and they all waited in anticipation, even if it was probably nothing.

    At last, they passed through the mountain, when it hit them; it looked like a giant, shiny ruby. Its red surfaces reflected light in all directions, illuminating a plain ground, dust, and rocks that were around it.

    "Too bright, sir, I'm receiving nothing," Binge said as Rowle glued himself to the window, gaping. Getting away from the periscope, Binge joined him, putting on the same bewildered expression.

    All three of them recognized the stone for what it was at the same time. They never had the chance to see it for real, of course, but they had seen the pictures of it. Milion things went through the Sal's mind after the beautiful, but grim realization. Everything made sense; the Croaker's apology, the prophecy, all of the secrecy around the project...

    His attention, however, was swiftly brought to his teammates when he heard Binge muttering.

    "We're going to be immortal," Sal heard, and there was a strange glint in Binge's eye, a glint of madness. Rowle took a step back, subtly trying to raise his wand whose tip was already red, leaving Sal in no doubt what kind of thoughts he was having.

    In quick succession, he stunned both of his teammates. He approached the window, heavily breathing, thinking about the course of actions he'll have to take.

    Their discovery could fix the whole world. It could cure everyone, stop the suffering of all people, and much, much more. However, it was clear to Sal that the ministry wasn't in any hurry to do so, and would not use stone in that manner. To keep it, between the three of them, and to try to use it subtly from the shadows, might be possible if their reactions were different.

    There it was, innocently lying on a ground. Its red surface seemed to mock him, as it reflected the light into his face. His fingers touched a little hourglass in his pocket, as he thought over all the options it presented, none of which he found attractive. Deep down, he knew what was the right thing to do, but he doubted he'll have the strength to do so.

    "Shit," he muttered his last words for, at that moment, a red light hit him in a back and he fell, unconscious

    Sal let out a defeated breath as he observed his own body. He hoped this time would be different, and that his teammates would react differently, but it wasn't to be. He hoped so every time, that his intelligent and capable boys would see the reason and act accordingly.

    "No matter," Sal muttered as he took hourglass in his hands and started turning it. "There is always next time."

    Back on the Earth, in the silence of his office, Saul Croaker shed a tear as he watched a small pile of papers burning in front of him. Every document concerning the project was there, slowly turning into an ash. The last name Croaker saw on the file was the name of Basal Leroy.

    He cried because he knew no one else would do so. No one will remember young Basal, but he will remain up there, in the black sea of nothingness, continuing to guard a price too heavy for mankind to handle. He will do so again and again, until the end of time, for space was not for weak-minded and immoral. No, space was not meant for wizards to explore it.

    With that thought, Croaker raised a wand to his temple, his tear already dry on his cheek when he said the incantation.

    "Obliviate."
     
  2. BTT

    BTT Viol̀e͜n̛t͝ D̶e͡li͡g҉h̛t҉s̀ ~ Prestige ~

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    I feel like English is pretty clearly your second language.
    This not only doesn't scan well ("Bode's lips turned into a straight line" instead of "Bode scoffed" or whatever) and the "in" isn't used in that way. There's the typical confusion of tenses, the explaining of things that don't need to be and not explaining the things that do need to be explained. Don't capitalize words just because they're meant to be shouted, either. That comes across as amateur.

    If the language wasn't up to scratch to portray the story as told, that'd be one thing, but it's kind of incoherent at best even with that. They're investigating something except then they're being sent on a trip to Mars and then there's a prophecy which consists mostly of "red" and that means it's a suicide mission somehow and then there's a lot of cursing and I started skimming. I thought at first that there was a long tradition of spacewizards but there isn't. For the first team of astronauts there's a distinct lack of more or less any emotional significance attached to that. Especially because you skip the actual space travel for some reason. And there's also time travel for a vaguely tragic sort of ending? Okay.

    Also 12 OWLs and 8 NEWTS (all Outstanding)? Jesus. Dial it back a notch.

    1/5
     
  3. soczab

    soczab Professor

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    Hmm. Im having a hard time reviewing this one because I feel like the 'problem' is me as the reviewer. As in, your prose are awesome. The story flows very well. I can feel the emotion behind it (especially that ending. Great skill there!) But I also feel like i'm missing something as I didn't pick up on what the 'tiwst' was. Why Croaker was so upset. And I read it twice. So I think my 'problem' is just that, I'm impressed with your writing ability. I clearly see and feel the emotion of the characters. But i'm not sure what it is that happened plot wise. And as I said this may just be me being dense, and perhaps you are being subtle in an awesome way. I *THINK* what happened here is they discovered an unlimited supply of sorceror's stones? And croaker is abandoning them so they dont upset the balance of things on earth? Or... i could be an idiot. I may give this another read and then edit this review at some point. But yes, well written but i'm struggling with the plot.
     
  4. bking4

    bking4 Second Year ⭐⭐

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    First off, the things I enjoyed: The idea of getting to space using Floo Powder and broomsticks. The idea that there is a Philosopher's stone on Mars. Those are both very cool ideas, and I loved the imagery of them. Floo powder and broomsticks to get to Mars seems very whimsical, and the idea that there's a Philosopher's Stone on Mars could have had interesting implications. Was there a previous colony or group of beings native to mars that also had magic and created a Stone? Is there something about the environment that affects magic and alchemical processes? A lot of potentially really wonderful things to explore.

    Unfortunately, we spend a lot of time with a main character that I feel no attachment to. I don't know him, and he doesn't have any clear motivations. The few bits of him we do get to see as a character, aren't particularly likable, at least in the beginning. Every time he makes a joke and people don't laugh it's because they miss his humor or they don't understand his humor. He has a laundry list of traits that make him awesome (OWLS, NEWTS, etc.) but it doesn't match with the way he's presented. He's presented and written as a smug asshole. You also introduce a number of other characters in such a way that halfway through the story, I have no idea who any of them are or how they relate to the story.

    The dialog is stilted, as well, which doesn't help my ability to understand who the characters are. You introduce a lot of wizards as part of the "team," and you introduce them very quickly and don't distinguish them from each other much at all, and their voice all sames the same within the dialog. It was a slog to get through when people were talking to each other. Give each of them a bit more personality, I think, and do some character work on each of them. If you're going to introduce them as "Sal and his team" and then just start throwing names out randomly, I'm not going to have any idea who they actually are.

    You also employ a lot of telling, not showing. 'He turned,' 'he tried not to laugh,' 'he was observing.' You're telling me in detail what the characters are doing and it gets boring.

    Lastly, there are quite a few grammatical errors that could have really used some cleaning up. You use ellipses to indicate a pause, which I really don't recommend but to each their own. You also use all caps to indicate shouting, and you do it quite a bit. It looses effectiveness the more often you use it. It shows us not that something is important, but that your character talks very loudly, very often. I also think a beta reader might have helped, but this is a competition. Might have done with a few more rounds of editing though to clean up some wording, grammar, editing issues. Examples:
    Should be "but nothing *the* DOM created"

    Should be "such bores?" If you wanted to keep it as "such a bore" which is the more common phrase, you might say "members of the department always such a bore."

    Missing ending quotation mark for the dialog, and "have kept a close eye" is awkward. I would recommend "close eye on you."

    Overall 1.5/5 - the extra .5 is for the potential of two of your ideas, but unfortunately I'm rounding down to 1. General takeaways - stilted dialog, little to no characterization (and what there was, was lackluster), and a general incoherence of what was going on.
     
  5. Halt

    Halt 1/3 of the Note Bros. Moderator

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    I'm... honestly confused? I think there was a philosopher's stone on Mars, or like a heap of it?

    The plot is kind of incoherent to me, because there's a prophecy that's being investigated, and then suddenly space and then they are in space through some floo-pseudo science gibberish that I honestly skipped, and then yeah i just started skimming.

    The dialogue wasn't very good. A bit too wooden and stilted. I also don't get any sense of characterization between the wizards involved in the team. There are a lot of non-mainstream canon names being thrown out. They started as blank slates and ended as blank slates with a bunch of stats next to them, which isn't great for characterization, or emotional buy in. Also, for their first time in space, there really wasn't a whole lot of emotional impact there. Then the ending with the time turner and the vaguely tragic note to it all which doesn't work because I'm really not sure I'm invested in the characters to feel sorry for any of them.

    To add to that, it's sometimes confusing to figure out who's talking since there are multiple people in a conversation but you don't add speech identifiers. And since the dialogue is fairly one note, it compounds the problem. This isn't Tonks and Snape talking, it's a bunch of OCs I don't know and can't distinguish.
     
  6. Ched

    Ched Da Trek Moderator DLP Supporter ⭐⭐

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  7. Ched

    Ched Da Trek Moderator DLP Supporter ⭐⭐

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    The South
    Interesting idea! I like the idea of this quite a lot, but the execution could use some polish.
    So the summary here is that the Department of Mysteries is investigating a prophecy that they have linked to Mars, and Croaker suspects that it's a Philosopher's Stone up there. Basal "Sal" is in charge of a mission to go and investigate this and he's suspicious because things don't quite feel right. He gets there and his compatriots can't get over their greed and he has to continually knock both them and himself out, using the time turner to reset things, possibly for eternity. Because he's the sort of wizard to do the right thing.

    That's a pretty cool idea.

    But I felt rather strongly that you had to cut a lot to make it fit under 4000 words, and I think part of the problem is that you cut rather than revised.

    I personally enjoyed the description of the floo-broomstick-contraption that got them to the moon. But if you were hurting for word count then you cut have had Sal 'tune out' whoever was explaining it to him and save words there. You could have done similarly for a few other areas of the story. Rather than have us get all of the information along with Sal, he could have the information. And we could go with him as he spends a bit more time dealing with the present situation. It felt rather rushed in terms of what was going on.

    The mission itself seemed rushed. Sal appeared surprised that he was going to Mars in, like, two hours. As opposed to two weeks.

    Ultimately though I like your concept. Just needs some polish. I don't think that just adding a lot of words would help though - there's some finesse needed here, to clarify some things.

    Thanks for entering - this is the sort of concept I'd expected to see, and I'm glad to have seen an entry take this route.
     
  8. Blorcyn

    Blorcyn Chief Warlock DLP Supporter DLP Silver Supporter

    Joined:
    Oct 16, 2010
    Messages:
    1,466
    Location:
    UK
    No a here.
    at instead of to
    we go to present tense inappropriately here.
    no to here.
    missing an 'an' here.
    I enjoyed this 'Merciful magic', it's a nice wizardly exclamation.
    I think the a would work better as a the, here.
    He'd or he would.

    I enjoyed the opening image of the rocket here, I had a very a good image of the rocket that they were working on here. I also felt similarly about their leaving and the floo-smoke that they left behind in their wake. The mountain sized philosopher's stone was something I imagined very viscerally.

    I enjoyed the genres that you tried to go for here. The attempt a circular story. Before the rocket set off I was very curious to find out what was waiting for them on Mars. I really enjoyed the idea of them moving through space but it being full of things that we wouldn't normally see as muggles.

    I also thought you did a good job at the start at making the dialogue sound British. There were lots of 'mates' and 'shits' and things like that.

    I feel you perhaps ran out of time with your ending. Perhaps because it slightly muddles with my understanding of time turners work, the section could be clarified a bit further, and you could therefore give the weight to the ending that the time you spent on the set-up deserves.

    Great job!
     
  9. Niez

    Niez Competition Winner CHAMPION ⭐⭐

    Joined:
    Jun 26, 2018
    Messages:
    278
    Location:
    Behind you
    You have an interesting story but your grammar is holding it back. I suspect you are an ESL writer (and this is great - ESL writers unite!) but that means you have to be extra careful to check everything thoroughly, or else get a native to do it for you, that’s always easier. I’m gonna focus my comments on this as I think they it's the main problem with the piece (the story itself is fine).

    That description is too vague. You need to be more specific/evocative. ‘large room’ brings nothing to mind.

    Eh. First you go from the vague (‘strange looking’, ‘erection of enchanted gadgets’) to the very specific (‘two brooms one on each side’). The resulting image is a bit confused imo. Also to whom is it ‘strange looking’, the narrator, ‘Sal’? Finally, enlarged and elongated are almost synonyms. Frankly I would rework the whole bit. If you’re not sure how to describe then maybe use similes or metaphors, which is sort of a cheap way of plating the image you want into your reader’s heads.

    ‘Other wizards’? You mean other than Sal and his team, the subject of your first sentence? Also ‘as they observed it’, is redundant.

    ‘Colleague’ is probably the wrong word, if the person speaking is part of ‘Sal and his team’. ‘His team’ implies that they are beneath him in whatever hierarchy you have going on, so not colleagues. Also ‘colleague commented’ is probably an unintended alliteration.

    You need to set this relationship up before you make a reference to it. Also Another one, use an identifier (i.e., his friend, co-worker, brother… basically whoever ‘Another one’ is in relationship to the first colleague).

    ‘Cut the crap’ is very much the wrong expression to use. Go for a ‘shut it’, if you must.
    Also I see what you did here. You were afraid of establishing ‘Binge’ without having your protagonist address him by his name first. Understandable, but silly. If your narrator is omniscient, then he already knows Binge’s name. If your narrator is limited to your protagonist’s knowledge (or is your protagonist), then he already knows who Binge is, too. Basically what I’m saying is call your characters by their names from the very beginning.

    Who’s this guy and where did he come from?

    You only have 5 k words. If your scene ain’t pulling its weight I would consider taking it out.

    The second sentence contradicts the first. Also: ‘Wizards usually didn't bother with the space exploration/travel, but the order to do so came from the top, something about the important mission, so they made an exception, but times were changing.’ (or something like that).

    Also a period instead of that comma.

    A lot of unnecessary action beats everywhere.

    ‘have you been informed of the mission’ ----> ‘yes I have’ -----> ‘let me explain it anyways’. I mean, have I missed something?

    He should know about this already and technical mumbo jumbo/exposition is generally boring for the reader anyway. Just skip over it.

    This doesn’t feel connected to what came before. Read it over again, see if it makes sense to you. (Hint, you can start from: ‘You were informed about the importance of this mission, correct?’)

    ‘Rang a bell’, not ringed the bell.

    I’m afraid I don’t understand this sentence.

    ‘Boss’ is very American. Also ‘What the fuck, boss’ doesn’t jive with me. You should not be swearing at your boss if you don’t want to get fired.

    Lol. I think I’m pretty sure I know who you are now, haha.

    A) How does he know? B) Is it? It doesn’t seem like it's foretelling anything.

    How does he know this is the reason they are rescheduling the departure? Come to think of it, how did Binge find out about it in the first place. Why can’t Sal refuse to go on the mission if he thinks it will endanger his team’s life? Too many questions and not enough answers.


    ‘Would satisfy Binge’ (instead of ‘will’) and his sharp mind hadn’t stopped working (not hasn’t). Careful with tense shifts.

    Show not tell.

    Leading the team was a massive responsibility, and his top priority was keeping them safe, even from themselves. Same information, much more succinctly conveyed. Sorry if I’m being thrifty with my explanations, but I’ve been at this for a long time now, and at this point all the big problems have been outlined, these are just details.

    I would go on but I think this illustrates my main few points, which I will summarise anyways below because I’m a scholar and a gentleman..

    My general tips from me to you:

    .Make sure your sentences are simpler, and shorter. Way too many commas, which is usual in other languages, not so much english (and the more you add, the more your syntax is in danger of falling apart).

    .Use ‘said’ more, instead of coming up with intricate tags. Less adverbs, in general, less action beats too. Let your reader pick up on the context. Conversations between two people are generally preferable, cos you can often skip tags altogether.

    Ex:

    ‘Wow, you’re really pretty.’

    ‘How about you fuck off, Potter.’

    vs.

    “Wow, you’re really pretty,” he said, while he gazed at her adoringly, tapping his foot onto the cobblestone while he also dug his hands into his pockets which felt a bit damp because of the twin snot covered handkerchiefs he had placed in there a few moments prior.

    Daphne looked at him very snootily, raising her nose up in the air like a piglet sniffing for its mother’s teat.

    “How about you fuck off, Potter,” said Daphne. It was to him she had said this to and not to Dean, who was standing right beside him, shivering in fear. Come to think of it, of course it was to him she had said this to because Deam’s surname was not Potter but actually Thomas.

    Same information, basically, but one is more readable than the other. (yeah I’m not funny, but I try)

    .Set up your characters at the beginning, preferably by using personal names. None of this ‘his colleague’ nonsense. If you really feel as if you must, do something like; ‘Binge, his colleague, … etc.’ The only time we as the reader should not know what a character’s name is, is when said character is also unknown to your protagonist and the narration is following his point of view. Not the case here.

    .If you are not comfortable with common expressions such as ‘ring a bell’ (and not, ring the bell) or ‘cut the crap’, use google. But don’t tell anyone, it's my little secret.

    .Beware tense shifts in general, but again, the shorter and simpler the sentence, the less risk of this going wrong.

    Yeah that’s pretty much all I got, if you want to discuss it further you know where to find me little fish. Thanks for participating though, and hopefully the criticism you got was constructive. Toodles, me.
     
  10. AlbusPHolmes

    AlbusPHolmes The Alchemist

    Joined:
    Aug 18, 2011
    Messages:
    930
    Better late than never I suppose. Missed the review deadline by a couple of days, but I hope this is still somewhat helpful.

    First to start with some elements of the story I liked.

    The spaceship - that its navigation system is essentially brooms, and that's it's powered by Floo Powder (does it melt steel beams?) felt whimsically Wizarding, as if someone from the DoM had researched muggle rocketships and just thought, hey, what's the closest analog to building something like that that we can do?

    Though a part of me was hoping they'd just outright steal a muggle rocketship and magically retro-fit it to be better for space travel.

    Anyways, I digress. Aside from that, the story seemed competently written enough from a technical standpoint, if nothing spectacular - nothing jumped out at me as glaringly wrong (though I read on my phone and wasn't really looking out for grammatical errors), so points for that as well.

    Unfortunately, start digging into the meat of the story itself and that's where things start to fall apart. An utterly unremarkable protagonist is further hampered by an indistinct supporting cast, and I found myself skimming right after lift-off.

    The main story itself is hella unclear. Philosopher's Stone on Mars. Space wizards find it and get greedy. Sal stuns. Then... pulls out a time turner? Presumably to bring them back in time and hope they make a different, more morally-upright choice? Vaguely implied that this is some sort of time-loopy, recurring event? The motivations are incredibly unclear here.

    And somehow Croaker knows?

    If the DoM (or Croaker at least) knows what's on Mars and the global implications, seems like it'd be a better idea to just scrap the idea of traveling there and hoping people make a good choice, or possibly condemning a decent man to a Groundhog's-Day-lite fate.

    Thank you for participating, but I'd be lying if I said this was more than 2/5. Please don't take this in a bad way - writing gets easier with practice, and it's the rare specimen who starts out writing and is actually great from the get-go.
     
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