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Entry #1

Discussion in 'Q1 2020' started by Xiph0, Mar 12, 2020.

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  1. Xiph0

    Xiph0 Yoda Admin

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    A fragment of what appears to be the transcription of Gellert Grindelwald’s autobiography. This fragment is heavily controlled, due to its potentially sensitive nature, and has been sealed to all by a measure of the Minister’s Tribunal. –


    …I remember the day quite vividly. It was a warm day. It was towards the end of May, when the sun slowly pulled higher and higher in the sky, when sleep came with darkness, and one slept through the night soundly, feeling as though he had lived the day full measure. I had reached close quite to the end of my own day, and now the stars pulled their cloak over the sky, staining the night violet. I was rather bored of Trieste at this time, as well as the nice weather, a thought that becomes increasingly ridiculous as I endure the cold winds of Nurmengard.

    The Acqua Alta had come quite recently and had brought with it flooding across the city. I had to wear tall boots as I sloshed through the streets, and even the locals were complaining of the unreasonably high waters. Well, I was looking over the railing of my villa with a glass of the local vine in my hand, something white. I amused myself by watching the turquoise waters lap the shore. Suddenly a brilliant thought struck me, and as naturally as anything I turned to my side. The ache in my heart turned painful as I missed the sight of my dearest friend.

    I must have been a sorry sight, standing at the edge of the turquoise Adriatic, and thinking only of loss. But to have met my equal, my perfect equal in every way, and then to have lost him. Fate was truly a capricious prankster. I dug my hands deep into the pockets of my robes, I started as I noticed something at the bottom. As I brought them out, a clutched parchment remained nestled in the palm of my hands. I smoothed the paper out and nearly laughed at what was written in his elegant hand, For the Greater Good. A very cruel joke. I let the parchment drift into the waiting waves. Doubt crashed upon me. As unfamiliar an emotion as any I had ever felt. I was not used to feeling doubt, still am not, and as I see the world that has been left in my wake, I am just as convinced that I was right all along. I was brilliant. Am brilliant. Perhaps my problem was that I was always very aware of how brilliant I was. But even then, to do the task that seemed set before me- without an equal by his side! Why, the world which seemed all but conquered now felt quite large indeed.

    It had been the best time in my life. In England I…


    The following lines have been rendered indecipherable by what seems to be tears.



    …Every day the same. I was wasted here, amongst operas and sunshine. Whiling away the days as I tried to overcome the challenges set so high before me.

    The Deathly Hallows were an eternal glimpse on the horizon, but my trip to Godric’s Hollow had yielded only pain and few fragile hints that lay gossamer in history. The Wand of Destiny was as far from me as it had been when I departed Durmstrang, so sure-headed and brash. I knew now that the wand had left England, but beyond that its trail had gone cold. I had come to Trieste on a whim, hearing vague rumors from the 18th century, of a surpassingly powerful wand in the hands of the Doges of Venice. If it had ever been here, the trail was cold as the touch of the eternal.

    Ariana Dumbledore was the key. I was as sure of that, and I still am. I had known it surely as she spoke out hints, vague prophecy. Magic, which bent so easily to her brother’s will instead made her the instrument of its own power. She had been a conduit, and now she was gone. Dead. Just another tragedy amongst many. I regret, and indeed I regretted even then, how I approached her. I am sure that had I gone about it a different way, well, perhaps Albus would have been standing beside me, ready to help conquer the world. The world would now be conquered.

    I wasn’t accustomed to melancholy. Nor to grief, and in what was truly a chance decision resolved to take a walk down the pleasant, elm lined avenues of Trieste’s wizarding quarter. Some faint attempt to alleviate the dark feeling that seemed to have lodged in my soul. I found myself in a small corner café, directly underneath a starry awning. It was not the first time I had been a patron, and the waitress quickly brought me my drink. Dancing little dolphins decorated the rim, and I fought off a little smile.

    Absentmindedly I tapped my cappuccino, a drink I had become quite fond of, and remain fond of, and left it spinning in the cup, eventually taking a soft sip. I savored the bitterness that lingered on the back of my tongue. While I sat, the evening sun had slowly slipped beneath the hills, and the streetlights shone their fairy light glow. I could hear trumpets in the distance, a reminder of the hour, as the nightclubs began to accept their customers. It was late enough that soon I could see more beers than coffee in the hands of the patrons of the café. A few girls strolled past, their outer-robes awry, and they tittered as I waved.

    I knew very well my limitations. Those girls, taken with me now, would laugh if they knew my designs. My ideas, unless viewed by an equal, would seem nothing but mad delusions. They would laugh, even if they agreed, because the concepts seemed so wild and fantastic. They would seem mad until they were backed up by commensurate force. Then would quickly seem very plausible indeed. But without Albus, I felt as though I would never have the man I needed by my side, who could help me realize the great vision of the world that we shared. The dream had seemed to slip like oil from my fingertips.

    In those days, caught in a desperate sort of loneliness that rejected all human company, I had become a rather avid eavesdropper. I had taken laughing to myself at the petty concerns of the common wizard. Tonight, even in the depths of depression, a conversation at the table behind me snared my attention. “Mad… they say… Baldwin’s Tome.

    Now, I had heard of Baldwin’s Tome before, although never much and nothing in specifics. It was supposedly a supremely powerful book, locked away in the collection of the greatest wizarding university in the world, the Altsturm. I turned to where a witch and a wizard sat, dressed in extremely conservative robes. They looked thread-bare, and on the woman’s part, slightly askew, with a button in the wrong hole. I could abide shabbiness, but sloppiness had always bothered me. “Pardon my rudeness,” I said, forcing a wide smile on my face. “Did you say something about Baldwin’s Tome?”

    The witch twisted in her metal chair in order to lean closer to me, until I was not only able to smell the wine on her breath but could detect the vintage. “Indeed, a great scandal.” I remember even now, how I barely managed to keep his nose from turning up. But sacrifices had to be made for the Greater Good. “A student, he read the entire book, and fell deep into lunacy!”

    The elderly wizard by her side shook his head so vociferously that his monocle fell from his eye. “It’s a downright disaster for all of us at the Altsturm. For all of Germany even! A national travesty!”

    “I’m sure,” I said, trying to let sympathy leak into every word as if from a broken faucet. “Is the student healthy.”

    “Healthy in body perhaps,” said the witch tapping her spoon against her coffee, a knowing look in her wide-set eyes.

    “Apparently he murmurs,” said the wizard gravely. He shook his head, his pinched face, screwed even tighter. He hadn’t yet replaced the monocle, and it was left to bounce on the breast of his plaid robes as he waved his arm. “About magic.”

    My eyes widened a catch. The girl was so fresh in my mind that even the mere mutterings of magic from a madman could catch my attention. “Oh really? What sort of things?”

    “Ridiculous things.” The wizard harrumphed.

    The witch was a little more charitable. “Something about three, And about a world without any form.”

    “Three you said? How odd.” I remember my thoughts so vividly, they could be coursing through my mind even now: Could this be it? The hint that I had searched so long for? I was willing to take any chance- anything to realize the dream lodged so deep into my soul.

    The wizard replaced the monocle in his eye, and vaguely tried to smooth out his tobacco-spit yellow hair. “I wouldn’t trouble yourself about it. It’s the murmurings of a lunatic. Baldwin’s Tome- it is impossible to read in full.”

    “It shouldn’t last too much longer,” said the witch. “The boy will be right as rain soon.”

    “The University sent me to reach a mind-mender in Vienna,” explained the wizard. “To sort this out. Hopefully it will all be done without creating anymore embarrassment. We don’t want this making its way to Der Seher.”

    “Is he any good?” I said. “The mind-mender that is.” I couldn’t let the boy be healed. Not before I had a chance to see him. Even at this early juncture a plan began to percolate and come together.

    “The best!” Exclaimed the elderly wizard. “Johannes Hartrich is the greatest of mind-menders. He is very young, but he only takes on special cases. The Austrians only call him when the problem is too severe for any normal wizard to understand.”

    “How exceptional.” I could feel my foot begin to tap with nervous excitement- an irritating habit I was never able to break.

    “You haven’t even heard the strangest thing about this man-” said the Wizard. “He refuses to travel magically. Claims that it isn’t him that comes out the other end, and that he doesn’t know who takes the people in the middle. He’s half mad himself!”

    “And you were the one sent for this man?” I asked.

    The wizard fidget for a moment with the long hem of his robe. “Well that was the issue me and my wife were discussing,” said the wizard. “We work at the Altsturm- as Keepers of the Tower- we’re on our vacation, the first one in many years. But we just received an owl from the Altsturm…”

    “Duty calls,” sighed his wife. “And for the sake of young Friedrich…”

    And there it was. I have often felt that my success, is not simply due to my magic, but also to knowing when to strike, never early nor late.

    “Why two wizardly folks like yourselves should not have to lose your holiday for the sake of more work!” I cried. “I have been in Trieste too long, and you have just gotten here, let me go in your place.”

    “Why,” the wizards voice trailed, and his cragged teeth dug into the worn leather of his lips. “I’m not entirely certain that’s a good idea. I hardly know you.”

    “Of course,” I said. “My name is Gellert Grindelwald. I rent out Palazzo Magin.”

    “Grindelwald,” the wizard looked me up and down. “I haven’t heard the name before. You aren’t a mudblood are you?”

    Such a word made my blood freeze cold, but my smile held. The nerve, of two janitors, to criticize anyone’s blood. Well, I swallowed, hoping that my indignation could be masked as grief. “No, my parents simply died when I was very young. I’m Swiss, it’s no surprise you don’t recognize the name.”

    The wizard gained a look of bashful sympathy. I could see I was very close to my goal. I continued. “I could give you the address, to my villa that is… That is, if you need it.”

    The witch looked pained at that and glanced to her husband. “Oh, dear…”

    “I’d merely be delivering a letter,” said Gellert. “Surely you can trust a former Durmstrang boy with that much…”

    “Ah!” The witch softly exhaled. Gellert had to resist wrinkling his nose at the smell of stale grape. “We both attended Durmstrang ourselves! Come now Heinrich, surely we can trust the boy.”

    The wine was having its effect on the man. Finally, as if reluctantly drawn out by the expectant look on his wife’s face, the wizard nodded. “Because you’re a Durmstrang boy,” he said. I could have jumped with joy. I didn’t of course. “I know you must be the right sort, if you came through there.”

    Who would have thought that the same school which would reject me, which would cast me out, would now once more be an instrument of my designs? Perhaps they would have recoiled at how they had furthered my goals. That their name would lead to me knocking down the iron gates a decade later and making an army of their students. Even now, in a cold damp cell, I am left with these pleasant thoughts.

    I left for Vienna that following morning. The slip of parchment with an address was crumpled at the bottom of his pocket. I knew the address was no wizarding address. On a whim I decided to take my broom rather than apparate. It had been a quite a long time since I had taken a journey without apparition, portkey or floo, and so I found it a rather quaint way of travelling. Slow perhaps, but speed wasn’t the end all nor the be all. I took my time as I flew over the Alps, and through green hill and vale, over fields of edelweiss and past castle and village. Amusingly, I even passed where I sit today, on a small spur of the Austrian Alps. I would never have guessed I would spend so much of my life on its peaks. It has lost its charm rather quickly.

    On the horizon, as the hills spilled onto the plains, I could see the wings of the imperial city spread below me like its aquiline crest. So, I descended into an alley in the middle of the city, skittering to a stop and stumbling as I dismounted. I looked both ways, just to make sure no one had seen my blunder. A degenerate stared at me from deeper in the alley, a nearly empty bottle of vodka in his hand. I didn’t bother obliviating him. Just remember, you who reads this, that I never killed when I didn’t have to. For all my life I held innocents in the highest regard, and never attempted to cause undue suffering. I merely saw that some amount of suffering would be necessary for the great society I would build. But by rejecting me, rejecting the changes that had to happen, you merely pushed the inevitable confrontation to the future. I saw the problems, and like a surgeon I knew I would have to cut into the flesh of wizarding society in order that I would cut out the raging cancer. Now you have shifted the burden further on, that the bloodshed should sit ever graver. Only blood waters the great tree of society.

    I strode out of the alley, and once more I beheld the streets of Vienna. Wide avenues and baroque architecture were contraposed against dirty orphans darting between columns, and an old war veteran leaning against a marble staircase. Again, it was a reminder why my cause was so very necessary. In the end, when matters settled, things would be better for everyone, beauty without poverty, peace without threat of war. Even for the muggles, I would grant freedom. Freedom from want, and freedom from worry, their problems solved by magic.

    I always tried to dress according to fashion, a regrettable extravagance perhaps, but with ebony cane in one hand, and my sharp charcoal suit, I fit in perfectly with the city. It was always the same when I came to Vienna. I would smile back at all, but I couldn’t help but be a little repulsed by all of them. They were so unaware, lacking any idea of who walked in their midst. There was something strange about being among Muggles, a man with sight living amongst only the blind.

    After wandering from street to street for a time. I decided to ask for directions. A middle-aged man, his dark hair neatly combed, sat on a bench beside the street, reading the newspaper.

    “Sorry, sir.” The muggle looked up. “I don’t suppose you could tell me where 21 Bergasse is?”

    The muggle pointed at the corner of the street, a wedge-shaped townhouse that jutted out into the square. “You were nearly there.”

    I nodded, and with a tight smile wheeled around and turned to the townhouse. Glancing upwards, I couldn’t help but pause for a moment, and admire the fine crenellation and ornament. I thought to myself in that moment that perhaps I would make my own capital in Vienna, once I had conquered the world. I put that thought aside, as I have had to do many times. I knocked twice at the heavy oak door and was greeted by a matronly old witch.

    “Yes?” she said, I remember she clutched a stubby, little wand in one hand. Well, I generally considered matronly old witches to be rather easy to manipulate. I smoothed out my blond hair and grinned.

    “Sorry to bother you,” I said. “But I’m looking for Mr. Hartrich.”

    “And may I ask your name, Mister…”

    “Starnberg,” I said with a short bow. I knew even then what had to happen. “I’m calling on behalf of the Altsturm.”

    Her eyes widened. “Of course,” she said. “I’ll go get him.”

    I, at that moment, was beginning to appreciate being connected to an institution. Usually, something like this would have taken a great deal more charm on my part. For some reason, just mentioning the name let me in. It was patently ridiculous. Anyone could have used that name, but for some reason it was unthinkable to the woman that I would lie. Still, I waited for a moment, before a younger man, showed at the door. A Kaiser Bill adorned his face in dark blonde, but he couldn’t escape the babyface which rested beneath. “Mr. Hartrich, I presume?”

    “That’s right,” said Hartrich. The mender’s dark eyes were locked on me, and I couldn’t escape the odd feeling that Hartrich was staring deep into my soul. It wasn’t legilimency either, I checked. He was merely that odd sort of person who was so observant that he didn’t even need to use magic. “You must be Mr. Starnberg then.”

    “It’s a pleasure.” Again, I sketched a short bow. For some reason people always seemed to like it. Perhaps it seemed deferential to them; I generally preferred a handshake. “But please, call me Gellert.”

    Hartrich rolled his lips into each other. As if despite himself, he spoke again. “Won’t you come in for a cup of tea.” I could immediately tell Hartrich’s type, manners drilled into his head since he was a child. Probably from a rather wealthy family as well. The prospect of not inviting a caller in, especially one that had made it passed the housekeeper, was unthinkable.

    “I’d be delighted.” I felt the reassuring weight of the poplar wand sit in my pocket. I miss that wand. Not just as I sit in my cell, stripped of magic, for I missed it even as my fingers touched elder. It always knew what must be done for the cause, leapt to my hand not out of obligation, or out of bloodthirstiness but out of love for me and my vision.

    He walked over to the sitting room, where two heavy plush couches sat in front of a fireplace. A little library sat on a bookshelf, and Gellert was amused to see several that sat in his own collection. The Tales of Beetle the Bard weren’t seen outside England very often. Everything was in very warm colors, and he imagined that in the colder months, when the fire was lit, it would seem to be a breath of summer in the snow. He tried everything, to put away that which he knew he had to do.

    “You are from Switzerland then?” Hartrich lit his cherry wood pipe and let out a red cloud of smoke. “North of course.”

    “Indeed,” I said. “But how did you know? I’ve been told my accent is quite subtle.”

    “Not subtle enough,” said Hartrich. I was quickly starting to re-evaluate Hartrich and to understand the keen mind that rested behind those piercing eyes. “There isn’t much schooling in Switzerland though.”

    “No. I went to Durmstrang for several years.”

    “For several years,” said Hartrich. “But you didn’t finish your schooling there.”

    “No.”

    “But I doubt it was for want of grades,” he said, straightening his mustache between two fingers. A puff of smoke.

    I tried to brush it off, my expulsion should hardly have been the topic of a passing conversation. “You of course know how Durmstrang is.”

    Hartrich frowned. “I never went to Durmstrang. They don’t much like Muggleborns there.”

    “An antiquated attitude.” I shook my head. “I’ve never seen a speck of difference in the magic. That is all that matters.”

    “That doesn’t surprise me.” Hartrich nodded. “You aren’t the type to often agree with established opinion, are you?”

    “Established opinion is made up of delusion so cemented in the popular psyche that it sounds like truth.”

    “And what is truth?” asked Hartrich softly. His eyes which seemed so dark previously, now had seemed as though they had taken on a honey brown hue, as if he had awakened some sort of hidden sympathy for me. I tried my best to explain, to sway him to my cause so that he might know why it was he died. At least let him die with the understanding of what was the cause.

    “That we must do what is best for the whole,” I said. I felt the weight of the poplar wand, felt it warm in his robes, ready to be used. “That wizards don’t deserve to be forced into the shadows. That we waste too much time worrying about meaningless matters of blood when we are all wizards and we are all witches.” I hadn’t spoken it aloud except to Albus, but as it rushed out, I suddenly felt as though it had gained a new sort of power.

    “Interesting,” said Hartrich. “You sound very sure of this.”

    “Of course, I am,” I said. “I’m right.”

    “So, what have you done since you left Durmstrang?” Grindelwald was starting to warm up to Hartrich. It had been a long time since he had been asked honestly what he planned to do, what he wanted, especially without fear of it leaving the room.

    “I spent some time in England actually,” I said. “I’ve been in Trieste since then.”

    “You don’t sound like you particularly liked Trieste.”

    “I was bored.”

    “Oh?”

    “There was no one to talk to,” I said. There was something about Hartrich, something indefinable, that made it easy to talk, and easier to continue talking. “It was nothing at all like England.”

    “There was someone you enjoyed talking to in England?”

    “Yes.”

    “And what do you intend now,” said Hartrich. “Having left Durmstrang, and seemingly in-content to stay in one place. Bored as you are by a city like Trieste.”

    I thought for a second. “Well, I don’t rightly know.”

    “That doesn’t sound much like what I’ve heard from you.”

    But then I realized it was true. I had left England bereft of clues or directions to seek out my destiny. I left only with a newfound credo and a mantra that beat like a war-drum in my ears. For the Greater Good.

    “I know what I seek, but I don’t know how I’ll make it there,” I said. “But when I do, the world will be a better place.”

    “Will it?”

    I didn’t respond to that. I knew it would. Now I remain just as assured that it would have been better. But a thought scratched at the walls of my skull, as I sat there, and I spoke out idly. I suppose now that I was merely delaying the inevitable, a rather uncharacteristic bit of cowardice on my part. “I don’t suppose you think I’d make a good mind-mender.”

    “No. Not good at all,” responded Hartrich, in the same offhanded tone.

    I straightened. I wasn’t much used to being dismissed in that way. It always bothered me when I was denigrated, one of my many flaws as a man. I had once nearly killed the Herbology Examiner, when he told me that I was not suited to continue the class after my second year. My hand began to hover closer to my wand. “Why is that?”

    “Well,” said Hartrich. “Usually they don’t let foxes tend a chicken coop.”

    “Oh,” I said mildly. “You’ve found me out then.”

    “It wasn’t hard to guess.”

    “So, what is your diagnosis?”

    “You’re not a lunatic,” said Hartrich. “You’re a fanatic.” He looked out the window, at the baroque scene. “I’m not much of a warlock, so I suppose I won’t be resisting. It is a very pleasant day to die.”

    “I’m very sorry.” I meant it.

    “I’m sure you are Mr. Starnberg.” Hartrich nodded. “I don’t suppose I could send Madam Herren out? She is a very good lady.”

    “Of course not,” I said. “I’d rather she isn’t involved myself.”

    “Madam Herren,” called Hartrich. The plump housekeeper bustled into the room. “I won’t be needing you today. Nor the next. I have an appointment in Germany.”

    “Why, bless you Mr. Hartrich. Thank you.” She gave a short curtsey and headed down the stairs. I listened as the door slammed shut. He turned back to wear Hartrich sat in his armchair.

    “I hope you know this is for the Greater Good.”

    “I’m aware of what you believe.” Hartrich looked resigned. His features were flat, and I still rather admire him for his poise. I can only hope that I too will have the same sense of gravity when a skeletal hand snatches me from the mortal coil. Even as I knew that it was necessary, regret tinged my final words to the mind-mender. But it was necessary.

    “Goodnight Mr. Hartrich.”

    A bright flash of green and Johannes Hartrich was no more.

    He looked peaceful there, not even shock coloring his eyes. I was struck by a deep sadness as I stared at someone who was now gone. Gone because of me, because he had to die. I would not let him be forgot. I waved my wand, and slowly Hartrich’s form drained of color, stiffening beyond rigor mortis. Hartrich’s features softened even as his eyes sharpened. His clothes, even his cherrywood pipe petrified as his constitution turned to marble. A fitting monument. Another wave, and by his sheer will, the statue could never be changed or move. His former home would be a memorial to a brave man. I bowed my head for a moment, reverent of the man who died for my cause.

    One last wave of the poplar wand caused my own face to bubble and change, a mustache growing, hair shortening, cheeks fattening as I became the late Hartrich myself. It was a vile spell, but one that I had to use, because it was for the Greater Good.

    I won’t give the account of my travels through the countryside. It was a rather boring excursion, and I see no reason to give any account of my flying across Germany. At any rate, I sent an owl ahead of me to the University, informing them that I was on my way, under my guise of Mr. Hartrich. While taking a short rest at a small public house near Regensburg, a reply was returned, that I should meet a Deussen outside of the town of Heidelberg.

    Thus, I once more took flight, and by the next morning I had landed on a small ridge overlooking a pastel town. Red brick rooftops huddled by the banks of a river, under the shadow of an impressive old castle. I found my guide waiting there for me.

    He was a short man, and nearly completely hairless except for two very impressive eyebrows which stuck straight out and a thick walrus mustache that curled around his upper lip. He was old and had a face that reminded me of nothing more than a deflated tire, sagging as low as a basset hound’s. He peered at me up and down with squinting eyes, and I was momentarily struck by the horrifying thought that I had already been found out. “Mr. Hartrich?”

    “Indeed.”

    His demeanor changed, and ponderously the corners of his lips turned upwards in a delighted smile. “How wonderful to finally meet you, I found your research on the Reichenberg case fascinating- even if it was rather far outside my own area of study.”

    “Of course,” I said, rather wishing at that moment that I had looked a little deeper into the history of Mr. Hartrich. I resolved, as I often did in this sort of situation, to lie and say something bland enough that it couldn’t possibly be wrong. “Even I could hardly have expected what happened.”

    “Yes, yes,” he huffed. “Fascinating work. But I am being rude, my name is Hexenmeister Deussen, chair of the Department of Irrational Epistemology at the University. I study the chain of causality that occurs when you cast a charm.”

    “Oh, so the actions of the spell upon the natural world? How it changes the world.” That would indeed have been an interesting subject. I had always wondered why spells acted in certain ways, such that once you reached a certain level of knowledge accorded a piece of magic, the same spell you had learned as a student could be reused for innumerable purpose.

    Deussen shook his head, causing his prodigious jowls to pendulate as he did. “No, no, that’s quite outside my area of study, that’s all Practical Metaphysics. No, I study the ways in which once the spell has been cast, it has always been cast. It is my belief that spells work on a reverse conditional chain of logic.”

    I didn’t often feel out of my depths. But there was a reason that I didn’t visit the Altsturm again after this excursion, and it was due to the fact that at times it felt as though the scholars at the university had divided magic so many times and in so many ways, that what they actually studied was not magic at all.

    “How fascinating,” I said, for lack of anything else to say.

    “I’m glad you think so.” Deussen beamed. “I’ll make sure to send you a copy of my book after all this unpleasantness is dealt with.”

    Now I was glad that I was simply assuming the shape of Hartrich. I was also rather intrigued whether the owl would bring the parcel to Hartrich’s apartment or to wherever I was following this. “So where is the boy?”

    “The Altsturm is not far,” said Deussen. He nodded toward the brick path leading off the ridge. I could have sworn however, that it had not been there only minutes before. “The university protects its secrets, Mr. Hartrich. You must be brought in by a member of the faculty.”

    “Of course,” I said. Later, when I took the Altsturm by force, in the dark winter of ‘39, I made sure to have a member of the faculty leading the charge, that the tower’s protections were circumvented.

    I followed Deussen down that brick road. As I got closer, I noticed a slight shimmer in the distance, as if the heat rising from tar on a hot day. I narrowed my eyes, and an illusion fell, revealing a tall spire, seemingly piercing the sky. It stood alabaster, the bright sun making it glow from within. It was taller than anything I had ever seen, so tall that it disappeared from view, no matter the angle I attempted to see it from. Arcades ringed the outside, gothic arches like arrows pointing towards the clouds. So mammoth that each one could have fit fifteen students abreast. Indeed, even from as far as I was make out the figures of students ringed around professors on the lowermost arches. Reading, studying and composing. I reckoned that I could hear the soft melodies of violin drifting on the wind, borne from some occluded perch.

    The clouds above the city did not penetrate here, but rather rays shined upon the alabaster exterior and made it glow soft and opaque. Monumental letters, carved upon the lowermost arch, were lit with an inner fire.

    Wahrheit und Lüge.’

    Truth and Lie.

    Deussen noticed his glance and smiled.

    “It is our pride and joy.” Indeed, the Hexenmeister swelled with visible pride at the sight of the Altsturm, and rightly so, I could have said quite honestly that there were very few things in my life, if any, that I found more impressive.

    We passed underneath the arch, under the flaming letters. As I walked under, I fancied I saw the inner flame swell for a moment, as if magic itself was recognizing my passing. I rather enjoyed the thought.

    All further thinking in that direction was halted, when I caught a glimpse of the interior. It was the only vista I had ever seen that could have outshone the exterior. It was a grand library, stretching as far as I could see, books of all kinds were sandwiched between tomes, and I thought I noticed new books appearing as I cast his eyes away for but a second, letting themselves slip between covers and turn up underneath book flaps. Ringing the building, golden carriages carried their inhabitants upwards, to floors, and departments, and (I imagined) to different dangers.

    “Your library, it is incredible,” I breathed.

    “It is why we are here,” said Deussen. His eyes held the same wonder as my own, despite how many years of his life that he spent within the walls. “It holds the sum total of human knowledge. Books appear as they are written, and sometimes merely thought. It contains every edition, every draft. It is how we obtained Baldwin’s Tome, and it is the greatest enchantment ever conceived.”

    “The Alexandrian charm,” I breathed. Deussen nodded sagely, the tip of his walrus mustache curling upwards. “I thought it was lost.”

    “Lost,” he said. “Found again.” He then finally shrugged, a wry smile tugging at his lips. “And we managed to misplace it again sometime in the seventeenth century.

    “A colleague of mine, in the Illusory Aesthetics department, believes that if one managed to ascend to the very top of the tower, one would find it there, pushed upwards by the limitless tide of books,” said Deussen. “But of course, we have yet to find a limit to the tower. As far as we can tell, it simply stretches higher and higher, and perhaps that too is the enchantment.”

    “Fascinating.” I nodded. “But you must tell me more about Baldwin’s Tome, if I am to do anything.”

    “Of course,” said Deussen. “Let us sit.”

    There were a few coffee tables arranged around the vast interior, and we sat down at one illuminated by the sun rays. After a moment, a young lady hurried over to us. She looked like she was normally quite beautiful. However, her eyes were red-rimmed, and her blonde hair sat in unmanaged disarray. She wiped her pale hands on her red apron as she approached.

    “Isolde,” he said gently. “You’re looking better.”

    She did not speak. Mute.

    “Do you mind grabbing me and my friend a cup of tea.” Her face was heavy as stone, and her movements mechanical as she turned away and headed to a small kitchen. Deussen’s eyes followed her as she left.

    “She hasn’t been the same since the… incident,” said Deussen, his eyes watery. “They were close. Everyone at the university loved Friedrich, but they had a special bond.”

    I nodded. “A shame.”

    “A tragedy,” agreed Deussen. “One of many reasons I pray you can revive the boy. He was a brilliant student as well. It was why I gave him permission…” A sob racked Deussen’s body. “-Why I gave him permission to read that tome.”

    “Do not many read it?”

    “None but our best,” said Deussen. The girl now, Isolde, returned with a kettle, and poured out two steaming cups. As she left, casting odd looks back at us, he continued. “And none in its entirety.”

    I took a sip before replacing it on the table. “It is that dangerous?”

    “This is not the first time such things have happened,” said Deussen, his face ashen. “But it is the first time it happened to one so young… and with so much potential. As I said, Fredrich was one of the most brilliant students I’ve ever met- but his youth made him arrogant.”

    “So, no one reads the tome in its entirety?”

    “No!” said Deussen. “Scholars build entire careers upon single sentences. Departments study single chapters. To read the book fully- as I have said, most do not survive, and none are the same afterwards.”

    I was fairly certain that was academic overstatement. Still, I found myself rather curious what lay within those leather bindings. For that was the curse of the wizard, things being dangerous had the unintended side-effect of making them very interesting.

    “So where does the Tome come from?” I asked. I had heard of the book previously, but it was always quiet on its origins. I was curious to hear about it from an expert. This sort of university lore always seemed to pass from professor to student, maintaining a surprising amount of truth despite its many tellings.

    Deussen looked pleased to tell the story. “Well, its origin is arcane at best. Some say it was written by Hermes Trismegistus. It has been said that it is the true Hermetic Corpus. But others say that it is far older, dating to the age of Alexander or even to the Minoan mages on the Island of Thera.”

    “But it is written in German…”

    “Well, in a sense.” Deussen frowned. “It is understandable to all. A Frenchman reads French, a Dutchman reads Dutch. It is almost odd, I can’t actually recall how the words appear, as it almost seems as though it simply appears in the mind when one looks upon the page.”

    “How did it end up here?”

    “That’s actually how it acquired its name,” said Deussen. “It was in the possession of King Baldwin of Jerusalem after the Crusades. It was awarded to a Teutonic Knight after his brave defense of the city of Edessa and he brought it back to his home here in Heidelberg. Ever since, the Altsturm has been here growing around it.”

    “Did you say growing?”

    “This is no ordinary building. It was not built by any mortal man.”

    Even I, had not expected this. It was not inconceivable, however. Such powerful artifacts as Baldwin’s Tome often could bend the world around it, exerting gravity and forcing reality to bend to its will.”

    “So, where is the boy?”

    “Downstairs,” said Deussen. “In the Wing of Madness.”

    I stared at Deussen for a moment, as he drank from his cup of tea. “How often does this happen Deussen?” I said. “That you have an entire wing set aside for madness.”

    “Madness or reading the Book?” said Deussen. “Madness is quite common, although they do tend to get better.”

    An older gentleman approached the table, tall and gaunt as Deussen was short and plump. “I hope you didn’t enlist another crank in your schemes, Dieter.”

    Deussen frowned as he stared at the fellow. “It isn’t of your department, Rudolf. It truly is none of your concern.”

    “It is the concern of all in the Altsturm,” said Rudolf. “I hardly think that the board will be happy to learn your wasting your grants on wild attempts to heal that which is irrevocably broken.” Isolde, somewhere behind us, burst into a fresh round of tears. Deussen looked back at her and his face took on a determined cast.

    “It is no worse than the waste you had attempting to prove that transfiguration relied on word order. How many students are still running around as guinea pigs?” Rudolf’s face reddened. “Your entire discipline is pish. Lexiconical Bimodality is an anachronism, of a more barbaric time! Baldwin’s Tome has confirmed that many times!”

    “What, and you think that you’re changing causality when you turn something red? That it isn’t an active action on your part, but that the entire universe is rearranging to fit your desires?” Rudolf laughed. “Next, you’ll be saying that spells are simply floating around nebulously, and that we’re really just calling them- or you’ll say we’re tapping into a finite store of magic. Obviously, you simply haven’t progressed far enough into Baldwin’s Tome, because it confirms the variability of Lexicon!”

    “Tripe!” cried Deussen. “Complete and utter tripe.”

    “I’m in no mood to argue,” said Rudolf. “I have a class.”

    “Maybe you’ll finally learn reverse transfiguration,” called Deussen after him.

    “Who was that?” I asked.

    “Rudolf von Sundern,” said Deussen. “He studies Lexiconical Bimodality, with a specialty in Transfiguration. He’s the Department Chair.” Deussen studiously looked both ways before continuing in a whisper. “He’s not known to have the greatest mind.”

    I laughed. “Back to it then I suppose.”

    As we got up, I fell a hand tug on my arm. I looked back to see Isolde. For the first time, I heard her speak.

    “Save him,” she said. “Please save my Fritz.”

    I nodded, and she looked at me with the most heart-wrenching expression of hope that I had ever seen.

    I followed Deussen through an arcade, till we came to another of those golden carriages which I had seen ascending the library. However, as we stepped on, the carriage started to glide downward, through the sheer rock that seemed to make up the floor.

    For what seemed like a minute, all I saw was darkness, but then there was light again.

    We opened to a long white hallway, punctuated regularly with heavy iron doors. Each had a small placard attached, listing the name, age and symptoms of the inhabitant.

    “Welcome to the Wing of Madness,” said Deussen. “Most of these people are merely short term inhabitants.”

    I walked over to the heavy iron door and looked inside the room. It was a pleasant little fireplace scene, abutting what looked like the French alps. A blonde witch lay there, staring into nothing.

    “We try very hard to make it comfortable,” said Deussen. “People often need to be brought back to a place of solidity, of comfort, for most- it is their home. Where things made sense, and they don’t have to deal with the same abstraction of the Altsturm.”

    “And it works?”

    “Generally,” said Deussen. “Especially when the problem is not caused by magic.”

    “And this is only the severest cases?”

    “Only when they seem in imminent danger.”

    “But where is Friedrich?” I asked. Deussen didn’t bother saying, merely waving for me to follow him down to the end of the corridor. There, abutting the sea, with currents nearly knocking foam into the room, on a sparse pallet sat a young man, with eyes that didn’t seem to see.

    “Do you mind?”

    Without even waiting for an answer, I let myself into the room. For a second, Friedrich’s eyes seemed to focus on me, before they turned foggy once more.

    I simply sat there for a moment, keenly aware of the eyes on the back of my neck. I waved Deussen off, and I could see him move away from the door. I suspect he hoped that I would merely wave my wand and be done with it.

    “Three brothers went-a walking in the shadows.”

    My head whipped around. But Friedrich was silent once more.

    “Oh, so you do know something,” I said. “Speak, Friedrich. Tell me what I need to know.”

    But he was silent. I had no choice. I stared into the gullet of the king cobra.

    I looked into the empty eyes of the student, and I saw only the whirling gaze of the madman. He was as disconnected from reality as a balloon untethered from ground, the fragile cord connecting him to sanity had snapped, leaving him adrift upon a wide and empty ocean. had seen a dementor’s victim, out of curiosity. If anything, this boy was so far removed from that, that he very well might be the antithesis of that lack of soul. It was almost as though he was operating with more soul than his body could handle, as if another sun had suddenly burst into existence within his solar system, pushing on the fragile boundaries of the earth, and becoming a super-liminal catastrophe. To put it simply, it wasn’t clear whether he was himself anymore.

    I pushed on.

    And all at once, images and knowledges flashed faster and faster before my eyes. I realized that the boy in front of him was no longer the boy he once was. As far from that boy as the wolf is from the domesticated hound, or as a man is from a baby. He was truly no madman. For what Baldwin’s Tome had done was strip his mind of all delusion. Leaving him without the pleasant lies that had anchored him for so long. All the subjective truth, all culture and in some way all relativity had been stripped away. And now the same was happening to me. All at once, he- I regretted using legilimancy on such a mind, for as the world revolved around him, suddenly I saw all. Suddenly I knew all. Suddenly I saw the waves lapping at the edge of my boat and sending me to deeper waters, and it was inexorable. I to was now untethered. I too was becoming more than I was, a functional apotheosis, and yet one which would leave me mute, as all dismissed me as lunatic. It would be me that saw. They were simply too nestled in their own lies to understand.

    I was everything, and yet nothing. When the world was stripped to the foundation, one could only see a vast nothingness. The fundamental truth was in magic, but the fundamental truth lied as much as anything else. I knew all and yet it brought me no satisfaction, because I realized that it didn’t matter. There was nothing to do, nothing anyone could do.

    Who was I? Where was I from? And then I realized what Baldwin’s Tome truly was. It was the Library of Alexandria, that illusive incantation, and it was the sum of all human knowledge and belief. The book reflected itself upon the library, as things were written in its pages, they were reflected onto the shelves. But it was more than that, because as I read, and as Friedrich had read they had truly understood not just the theories as they had been written, but all the feelings that had been poured into them. All the nuances that had gone uncommunicated now found worthy ears. I was now a believer, in multitudinous faith. But I was now a skeptic of all belief and he was as lost as a child in the snow.

    No wonder departments could debate single chapters. That all their findings conflicted. Because everything was based on subjectivity. The concrete being built up. Magic did not behave as they thought it did. There was truth in everything being said, and yet at the same time it was all a lie.

    I knew Fritz. I knew Albus. I even knew Johannes Hartrich. I suddenly knew death too. For that too was recorded once, and so now it was too in my mind. I knew too much. I was left without any comforting shore to look back at, and where once he I saw power before me suddenly it seemed illusive too. Without all the pleasant abstraction that had allowed him to learn, I knew nothing.

    I knew too much.

    But I was in control. Grindelwald was always in control. With the sheer force of will, I sent the foreign memories in my head away. I shut himself off from the great currents dragging me off to sea with one thought. For the Greater Good. A mantra, echoing in his head louder than any blast of thunder.

    Faith was the enemy of knowledge. A belief that no amount of disbelieving theory could shake. I had a faith greater than any. A knowledge unlike the ones contained within Baldwin’s Tome. Sor far exceeding it that it was unimaginable.

    For the Greater Good.

    For I had a cause. I had an anchor, a belief that couldn’t be dislodged for it rung like a bell with every fiber of his being. And I discarded all theories and facts that wouldn’t resonate with it- for that couldn’t be me. He rejected Fritz. And I rejected the multitudinous throngs that for a second, for only a second, had crowded my head. I knew once more that which I knew for sure.

    With a grasp of breath, and the feeling of sweat pooling at his nape, I finally managed to eject himself from the mind of the student. As I left the student’s mind, I realized that I did know. It appeared as though the Elder Wand resonated with my goals. Serbia.

    A tight smile crept onto my face at the prospect of my goals finally falling into reach. It was quickly buried as I emerged from the hospital wing. Replaced with a mournful shake of his head. As the girl burst into tears, he did feel a brief flash of sympathy. It is greater now, since my own goals failed to come to fruition. Deussen looked dejected, his hopes for naught. I didn’t stay longer than I had to, for I knew the end of the story before I had even left the tall tower of the Altsturm.

    The promising young wizard would eternally be seen as a lunatic, when he truly saw more clearly than any of them. The story ended rather sadly. Fritz dead a decade later, buried under the Altsturm in a crude coffin. Hardly anyone remembered the brilliant young student. Even Isolde left, Fritz having taken the place of a lost love.

    By a point, he was only the madman with his utterances. A certain type of genius can only be recognized by an equal, and young Fritz had become someone beyond equals. The whole world was unable to understand. Unable to realize that he could see past all equivocations. That he came as close as any to the very avatar of knowledge at whose altar the University professed to worship.

    And I could have stopped it. I could have helped. But I didn’t, because if they knew they held the Sibylline Books, so too would they burn once more. I looked back at Friedrich sadly. In the end it was all for the Greater Good.

    When I returned to the Altsturm, in 1939. I puzzled many of my lieutenants, when I ordered a battered little plywood coffin exhumed. I heard them asking the professors, who was it that lay in the little coffin. Who died that they were to be encased in an alabaster tomb by Grindelwald, himself? The professors only said, a madman. But I knew what he had given. What he had sacrificed to the greater good. I could not let my martyrs be forgotten.


    The Fragment ends here. It is assumed that during Lord Voldemort’s period of control over Hogwarts the rest of this autobiography was either spirited away or burned. This scrap was found on the corpse of Severus Snape. The Tribunal can only assume that he was intending to understand the truth of the Elder Wand.
     
  2. Gaius

    Gaius Fifth Year

    Joined:
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    Messages:
    145
    interesting story. i enjoyed Grindelwald's first person perspective and the story's themes of gaining knowledge, faith, and loss. i'm not sure if this is a quirk of the competition but this story (and the other entries) has no title. i suppose as a fragment you can get away with it being untitled though.

    some thoughts as i read:
    this is a nice detail. Grindelwald's automatic reaction to turn to tell Dumbledore something and his momentary forgetfulness that their friendship has ended.

    i feel like this isn't the best word choice coming from Grindelwald as your narrator and also for the tone of the story.

    So this lacuna comes at an odd place since the previous paragraph doesn't have too much reminiscing about England and the following is where he talks about Ariana. Also, this is your only editorial intrusion in the text. I think you can get at this idea that tears destroyed the text or that G. was too sad to write out fully what he was thinking with a couple of fragmentary sentences. You could even cut out this bit and then begin the next paragraph with ellipses to let us know something is missing.

    i like this idea that Ariana was somehow useful for Grindelwald, as opposed to how she usually is portrayed in fics and in DH that she got in the way of Dumbledore and G. and their plans. it also is a nice way to foreshadow how important Friedrich will be to G. because he valued Ariana's prophetic utterances and regretted causing her death.

    you missed an opportunity here to make a reference to Freud since Vienna was the hotbed of psychoanalysis at this period. it would have been awesome to see a reference to Hartrich being a Freud student or getting caught up in psychoanalysis bc. he is a well-educated and wealthy Muggleborn with connections.

    - = hyphen (for connecting compound words), -- = dash (for connecting clauses)

    i also like this nod you have to the idea that Apparation works like teleportation where the body experiences death and is reassembled atomically at the other end. especially with the questions that come up in the Altsturm about being (who is Friedrich now that he has divine knowledge? who is Grindelwald and what does he value?) this seems to have a similar focus: who am I if I don't continuously occupy and experience space and time? if I blink out of existence here and appear there, is that even "me"?

    i like how we see Grindelwald's anger about expulsion still. although he may have learned something from his imprisonment his anger is still there and his pleasure at using Durmstrang's name for his own ends is a nice detail.

    You have a tendency to mix up first and third person in this story. Watch out for that!

    I like this intrusion of Grindelwald as narrator who remembers past events. i think you could have even more of these two Grindelwalds (present narrator and past character).

    you missed an easy opportunity to add to the tone, atmosphere, and setting of the story with "Mr." instead of "Herr" here.

    i love this detail. the wand chooses the wizard, and in some cases, as here, the wand loves the wizard. the distinction with the Elder wand is nice too. poplar supports G. because it chose him, Elder just wants to cause mayhem and destruction, doesn't care about who wields it.

    you switched to third person again here. a bit jarring.

    i feel like Grindelwald's response to Hartrich is a nonresponse to the question "what is truth?". i'm not sure if you meant to do that, show us how Grindelwald is only thinking of pragmatism and political action, not really thinking through the philosophical questions that Hartrich and others may be interested in.

    I like the last sentence of the paragraph. it's a nice detail in a story about magic, Grindelwald's saying something is so may influence its happening (like a prophecy), and it also fits into the psychoanalytic scene of Vienna and Hartrich since G. is wishing something will happen by thinking and saying it is so (like magical thinking).

    i liked this doubt you depict creeping into Grindelwald and also how he convinces himself to kill Hartrich despite finding someone he actually feels a kinship with.

    nice. Hartrich's perspicacity is great in this scene. i think the phrase could be changed slightly to be a bit snappier. maybe "usually they don't let foxes tend the chickens" or "into the henhouse"? or maybe it would just be better with the definite article "the" instead of "a chicken coop."

    nice detail. it is interesting how Grindelwald deludes himself into thinking he is respecting Hartrich and also Friedrich later by memorializing them when he is responsible for depriving them of life.

    i know you're going for silly, magical-sounding and also overly abstruse department names, but this doesn't seem to me to really cohere with what Deussen does. his interest in causality would, i think, fit better in a department on logic or even natural philosophy (?). i'm not a philosopher though.

    this is great.

    not sure how I feel about Lüge. why is the library dedicated to "truth and lies"? this sounds Orwellian to me (like the "Ministry of Truth"), but they don't study lies. maybe fictions or magic or theory?

    cool! i love a magical library. here it reminds me of Murakami and Borges and also Grossman's library in The Magicians trilogy. a magical assortment of books that may or may not have been written but only conceptualized is super cool.

    i like the idea of the Altsturm as a grown thing, an organic thing.

    not sure if you meant to be slightly contradictory with Deussen, but his explanation of Baldwin's Tome, Alexandria's charm, and the origins of Altsturm seem a little confused to me. Grindelwald later realizes that the tome is the charm, but here Deussen suggests that the object causes the university and library to grow, yet above he says the charm is the reason why they have the book.

    great description and analogy.

    mix up of first and third person again.

    i was a little confused by "they." probably "we" would be better since it includes the first-person narrator.

    the multitudinous faith and skeptic conceit is a bit abstract. maybe use a more concrete metaphor or example of what he believes in and sees bc. of the tome. the idea that he is a believer also conflicts with the description below of this being a kind of divine knowledge since it is his faith in his own ideology that allows him to divorce himself from the effects of the tome.

    i like this. effective use of repetition with variation. but you lose perspective again and fall into third-person pronouns.

    this is nice and also very scary. he has come to this place of knowledge, he says he wants to know things that he could only know through the tome or someone like Ariana or Friedrich, but in the end he stays sane because of things he already knows "for sure." scary belief in his own ideology.

    so i like the framing of the story as a fragment of Grindelwald's autobiography, and i realize as the "editor" of the fragment you may want to/need to give us details about how it was found, why this selection still exists, etc., but i'm not satisfied with it being found on Snape and also that "the Tribunal" (what is that? part of the Ministry?) knows about the Elder Wand, which should be pretty limited information to Harry and co. why not have it found in Dumbledore's effects? something that helps Harry to think about the Hallows? or maybe something discovered by Voldemort?

    edit: forgot to ask if Friedrich is a reference to Nietzsche? he went insane too and was a philosopher, i.e. interested in the truth, much like your Friedrich. it'd be interesting to think about Grindelwald and this allusion, seeing that Grindelwald, thinking himself to be a superior thinker and political actor similar to idea of Übermensch surpassing conventional beliefs and ideology, is willing to separate himself from knowledge bc. of his single-minded belief in his own ideology.

    thanks for the submission and good job!
     
    Last edited: Mar 13, 2020
  3. BTT

    BTT Viol̀e͜n̛t͝ D̶e͡li͡g҉h̛t҉s̀ ~ Prestige ~

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    1204
    My first grievance is with the format. The diary format - as used here and in general - mostly results in temporal confusion, where you intermingle the experiences of the young Grindelwald with the recollections of old Grindelwald. Let's look at an example:
    That's not great writing in the first place. He can't have a cup of simple-ass coffee without ruminating about it? He's like a suburban housewife spinning a ten-page long yarn about her youth before she actually starts telling you the apple pie recipe you came to her blog for. It doesn't read well.

    Second grievance: Grindelwald. He's still looking like a fucking weirdo at this point, which means I'm unable to take him ruminating seriously and just take everyone "tittering" around him as mockery. It doesn't help that he sounds like a twat. "The local vine"?
    On top of that, though, he doesn't read as noticeably fanatic. He occasionally says "when I've conquered the world", but, hell, so do I (albeit more ironically). He throws in a for the Greater Good sometimes, sure, but that's roughly all.

    Third grievance: technical writing.
    This isn't great writing. Have some faith the reader gets it the first time. More general remarks as to style: you flip between first and third person multiple times. You're long-winded and repetitive, which makes this whole thing read like an old man's ramblings about how he once went to Shelbyville, with an onion on his belt as was the style at the time....

    Sounds like a bog-standard cursed book.

    Grindelwald flipping out about two "janitors" questioning his blood is odd. He went to Durmstrang, which has a reputation of not taking Muggle-born students, nor even Halfbloods. Being questioned about his blood should either be no deal to him or basically routine.

    So, in summary, I can't really rate this too highly. It took effort not to skim but didn't do anything horrendously offensive, so I'm going to give this a 1.5/5.
     
  4. Blorcyn

    Blorcyn Chief Warlock DLP Supporter

    Joined:
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    Another quick review, essentially good over all, but negative in specifics.

    Let's not go for a shit sandwich, but get it out the way.

    1) Your opening is woolly. The opening should be the part of your story that is most precise, most hooky and more enticing. It should be the strongest lines you can produce, and quickly and authoritatively establish a type of authority: Intellectual or Emotional, or both if you can manage it.
    - This means, make your character feel like they have authentic drives and feelings that are compelling, or establish that they're very good at X, and they know more than your reader about Y, and the reader needs to strap in because you're much stronger than them and you're about to take them on a ride etc.

    2) Your language is effusive. You write some weird shit sometimes man, both in narrative and epistolary (I think you both abuse the idea it's a diary, but also forget almost all the time, and so it's odd that he's recorded some of these things this way). Other people have covered this.

    3) Your structure is sometimes antithetical to your character motivation. This was my first major problem on reading the story. Grindlewald has his idealistic reasons for doing things, he time-limited reasons for doing things, and they make sense to him - sure, good. However, what he then actually does seems like whim. 'I best get over to that healer quick as I can! 5 seconds later, On Grindlewald's scenic broom ride let me note specifically the quicker routes that he can use but hasn't for some unknowable reason. etc.'

    4) Your basic proof-reading. I reckon this was hot of the press. By the end, your typos, spelling mistake, grammar and punctuation errors are really, really frequent.

    However, I'm going to put this first anyway.

    I think you told the most complete story. I think you missed some opportunities - The mystic skull and the mute woman from crimes of Grindelwald seemed entirely what you were aiming at, but then at the end you explicitly make it clear that you were not.

    I felt the ending made sense, and if a little purple, then at least was germane to Grindelwald and his quest and story. I appreciated the concept itself as an idea for the prompt, and felt it was suitably and appropriately unfolded (if only you would cut a ton of words at the beginning and just tighten and clean the whole thing up). I felt that there was a compelling character arc from Grindelwald as a person with grand plans but no idea how to achieve them, to Grindelwald sees the path to become a Great Man in history and achieve his political ambitions. And he didn't quite lose my sympathy. So that has to be the essential success.

    This could be a strong generally published story with some good beta work, and you should look for it and do it. Well done.
     
  5. Niez

    Niez Seventh Year ⭐⭐

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    I like the premise a lot - Grindelwalds autobiography (I presume written whilst in prison) is a very sexy hook for a story, putting the prompt aside. The problem is that you took the most dreaded Dark Lord of all time (with apologies to Voldemort) and made him akin to a pining schoolgirl, but even pining schoolgirls would cringe at this The following lines have been rendered indecipherable by what seems to be tears. Nein, my friend, just nein. With drama as with many things, oftentimes less is more. I’m afraid this little opening sets the tone for the rest of the review, but bear with me, there are some positives at the end.

    Your beginning paragraph is, to be blunt, bad. You begin with an ellipsis, which is not only ugly, it is also unnecessary to indicate that this is just a fragment and not the beginning of the diary (hint, hint, you state as much at the beginning). Then you follow with a loooooooooooooong ass sentence, in which you repeat words (‘day’ and ‘when’ to be exact) and also try your best to confuse me.

    So towards the end of may, when the sun pulled higher in the sky (so midday) when sleep came with darkness (huh? is there a time when sleep doesn't come with darkness?) and one slept through the night soundly (but wasn't it midday?) feeling as though he had lived the day full measure (to its full measure? this latter bit is fine but conjoined with the rest it's still mightily confusing).

    But I’m afraid the problems don’t end there. Your prose is very purple. It doesn’t really fit the voice of a baddie (unless he is a Shakespearean baddie I suppose but that is not really believable off stage) which sort of ties in to my second point; I’m not sold on the characterisation of Grindelwald. Little as we know of him (movies? what movies?) I can’t help but imagine that he wouldn't be the introspect sort, constantly making observations about his surroundings, or more accurately recounting observations that he once did (more on this later), writing it all down with attempts at flair and flowery language. Even within the story, harkening on and on about the greater good. He lost- surely he must have realised this - from Canon we even get the impression that he might have even repented, so why is he writing what he is writing?

    Getting a bit more abstract (and with abstraction there is the danger of being proven an ass) an autobiography is a classic form of storytelling. It’s sort of instinctive, probably older than any heroic poetry thingimagic, just a man telling you of his past life, deeds and regrets - what he did in short, and why he is bothering to recount it. You never hit those beats. I never get the sensation that I am reading someone telling his life story, even to a page, I never get the sensation that this is a ‘true’ story at all. I only get the sensation of someone pretending to write someone else’s diary, always keeping a greater audience in mind. Flowery language is a part of this. The constant back and forward between the memory and ‘current time’ (ala; a thought that becomes increasingly ridiculous as I endure the cold winds of Nurmengard) also plays into it. The fact that it over dramatic - Grindelwald is an old man writing a diary, why would he break out in tears? - only adds to this. The story itself just doesn't fit - nothing that is being told looks like it would have been written in someone’s autobiography. Frankly, it just doesn’t feel authentic. There's plenty you do fine, and plenty you can improve, but I think this last thing is what truly breaks the story. Truth be told I don’t know why you chose to make it an autobiography, instead of just a standard first person POV from Grindelwald’s perspective. Perhaps it would feel more genuine then. (The fact that third person is littered through the text may suggest that this was initially third person and then you switched. I don't know, I’m no sleuthy sleuth)

    I’m not gonna go line by line because we would be here all day, but I am gonna remark on what really caught my eye as I went through. Mostly negative I’m afraid, but that’s who I am. A negative niez.

    High water? So why not call it high tide? What purpose does it serve to call it by its italian name?

    Huh? He’s sloshing through the streets and then he is looking over the railing of his villa? What?

    And again, ellipsis extremely unnecessary, but at the very least capitalise properly.

    Very nice word gossamer. Brings to mind gloss and the summer.

    Got a lot of trolling vibes from that line, unfortunate if not the case. Just don't do things like these, I don't know how else to put it. The whole concept is ridiculous and not in a good way.

    I got some Tender is the Night feels from this. Add a reference in for my sake. Pretty please.


    These introspections interjected in the middle of a recounting look out of place and are in any case probably not suitable for a diary format.

    This I feel, is a good exemplifications of what I meant about the story not feeling genuine. If Grindelwald is writing his autobiography as a pseudo-manifesto (ala mein kampf) then why put in shit like this; ‘The ache in my heart turned painful as I missed the sight of my dearest friend. I must have been a sorry sight, standing at the edge of the turquoise Adriatic, and thinking only of loss.’ And if its meant to be deeply personal and only for himself, first why write it at all, and then why add little comments to a potential reader. It just don't jive fam.

    A follow up since there’s something I noticed later. Grindelwald talks about obliviating then goes on a speel about not killing innocents. Those two things are not the same.

    You seem to suggest here that Grindelwald was expelled because he was a muggleborn, that is impossible on several different accounts. Durmstrang does not accept muggleborns to begin with, which means that Grindelwald couldn’t have been one the first place. A double whammy. Also, from the Deathly Hallows we know that he was expelled from ‘dark and twisted’ experiments, a direct quote I believe, or close to it. Creative liberties and all, but I don't see the purpose of changing this, it serves little and it doesn't make him more likeable/idealistic if that was your intention.

    (I really don't know why he murdered Hartrich btw - you don't need to murder someone to supplant him temporarily, especially because if it weren't for you he would even be aware that he had to go anywhere, but ok. For the greater good I guess. The only problem is that this genius akin to Dumbledore didn't think of any alternatives whilst he goes on about not killing innocents. Ayayay.)

    give my accounts twice. Also he can’t apparate?

    And some positives to leave you with a good taste;

    You have some nice imagery (‘the stars pulled their cloak over the sky, staining the night violet.’), very picturesque. If this was a surreal story or some sort of child fantasy book I would give you props for it, but thematically it doesn’t really fit with an old man recounting his past sins, so I’m afraid only half-marks for this. Still though.

    Also at points you come close to an interesting characterisation of Grindelwald. ‘They were so unaware, lacking any idea of who walked in their midst. There was something strange about being among Muggles, a man with sight living amongst only the blind.’ This is an example. Unfortunately you absolutely gut him in the beginning so by this point there was little to characterise.

    Oh, and as a final point, I really enjoyed your interpretation of wizarding academics and the magical library I feel was a good idea.

    So overall I give it two ravens out of a whole flock, and bid you adieu. Thanks for participating.
     
    Last edited: Mar 22, 2020
  6. Microwave

    Microwave Professor

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    477
    Personally, I'm not a very big fan of how Grindelwald's voice reads. He seems more like a melancholy grad student than anything really dark lord-esque, which doesn't really feel like it fits in with the theme.

    The language is just ... strange. It feels almost childish, and I don't think that's particularly what you're trying to pull off here. It's leaning more towards a 19th century romance than a villain's narrative. It's like Frankenstein without any of the parts that make Frankenstein good.

    I'm also not very sure where your story was supposed to be leading. The ending closed it off quite nicely but I don't think I felt much of a leadup to it. Going back to the Frankenstein comparison, I don't think you've really pulled off the same feel with the narrative. Autobiographical accounts usually involve two things a) retrospection b) a learning outcome, and neither of those things are really there. Your writing seems to be more of a telling of a series of events as they happen, especially with your sometimes rather purple imagery that could trim your story down quite a bit if you redid those bits.

    I'm talking about Frankenstein because I think it's the type of story that yours should be. It's true that in contrast to Grindelwald, Frankenstein is more of a tragic hero than a villain, but we can take a few points from how its structured.
    1. we the person Frankenstein becomes before we see the person he was at the beginning of his tale
    2. the person he becomes comments on his past self
    3. Frankenstein experiences some sort of learning outcome even though he loses everything
    You don't exactly need to make Grindelwald a sympathetic character, but I think it needs to be clearer how he develops as a character.
     
  7. Shinysavage

    Shinysavage Madman With A Box ~ Prestige ~

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    The big problem with this, for me, is the character voice. In and of itself, I don't think it's badly done - there's some techincal stuff, which I'll come back to, but as a voice I think it's fine; the issue is having it as Grindlewald's voice, and I really don't think it fits. It reads like a more pretentious Dumbledore most of the time - which, to be fair, could be intepreted as a sign/symptom of Grindlewald's lingering feelings for him, but rather undermines the story as is. He never really feels like a threat, save for maybe the scene with the Mender (probably the piece's best bit, I would say).

    Technically speaking, as I say, there's a few issues, which others seem to have covered in much more depth; wandering tenses and some spelling errors, essentially, probably nothing a more thorough editing pass wouldn't catch.

    I did like the concepts introduced at the Altsturm, with the different theories and the library - very Discworld, Unseen University, which is no bad thing. The seemingly infinite book is a nice idea too. I'll also give you points for this feeling like the most complete story from this round.

    3/5.
     
  8. Majube

    Majube Order Member DLP Supporter

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    This was...very wordy. Purple prose galore. Concise is better in fanfics, sorry to say.

    I would've preferred more dialogue instead of all the exposition as well.

    I'd say half of all of the words you used, can be cut down.
    Gellert overhears a brilliant student went mad (cut this down into like 5-8 sentences at most, learn how to be brief and better at descriptions)
    Gellert goes to kill the healer (this whole interaction was odd, hated it)
    Gellert pretends to be the healer (meh, this was okay)
    Gellert legimises then leaves (this whole scene was crap)
    2/5
     
  9. FitzDizzyspells

    FitzDizzyspells Seventh Year DLP Supporter ⭐⭐⭐

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    Your entry is interesting and creative, but I found it odd that Grindelwald never really faced any obstacles in this story. Your entry lacked a conflict, lacked a moment where Grindelwald struggled or faced any real dilemma.

    For a while, it seemed like this would be a story about hubris ("things being dangerous had the unintended side-effect of making them very interesting"). I found that very intriguing, but Grindelwald was rewarded (at least in this story) for his pursuit of greatness and congratulates himself for it in the end. Personally, I would've found it more interesting to witness Grindelwald lose something (for example, Albus' friendship).

    I liked how you wrote Grindelwald as he reflects on that loss of friendship in the beginning of this story. It veers into mawkish territory at times (the tear-stained letter was too much), but for the most part I really enjoyed it. Grindelwald is grieving, but he's not exactly remorseful. His thoughts about Ariana are very interesting. You do a good job characterizing Grindelwald as this egotistical sociopath who is still somewhat of a sympathetic protagonist. My one criticism of your characterization is that Grindelwald spends a lot of time thinking about how intelligent he is without ever really ruminating on too many interesting or complex concepts (save for the end, of course). I get that Grindelwald thinking about how much more important he is than everyone is part of his characterization, but you still have to show that he is talented/intelligent by giving him interesting thoughts.

    Your dialogue never feels quite natural. One moment, Deussen is on the verge of tears, then the next moment he's "pleased to tell the story of the tome." Rudolf randomly approaches the table and immediately begins berating Deussen. The couple that Grindelwald encounters at the beginning of the story put a pretty complex errand into the hands of a stranger. And don't get me started on Grindelwald's conversation with Hartrich. These aren't realistic interactions. When an author's dialogue is realistic, I can lose myself in a story. If it feels contrived, I'm more likely to be taken out of a story.

    I might be too dumb to understand your sudden introduction of third person that arrives late in the story:
    Is Grindelwald referring to Hartrich here? Except that he doesn't do that when he refers to "my head" and "my face." Who is the "he" who rejects Fritz? This left me very confused.

    Final thoughts:
    • Cut this: "That you have an entire wing set aside for madness." The reader can follow this, and it's better left unsaid.
    • "He very well might be the antithesis of that lack of soul. It was almost as though he were operating with more soul than his body could handle." This is lovely and chilling. Make sure to fix the sentence that precedes these lines, which I think got fragmented in the editing process.
     
  10. Ched

    Ched Da Trek Moderator DLP Supporter ⭐⭐

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    I liked this one. This particular type of magic, shown by the Baldwin Tome, fascinated me and I quite enjoyed it. Also liked the OCs and GG in terms of characters. Slightly slow start for a handful of paragraphs.
    Had a bit of trouble getting into this one. I get that this is GG’s writing and he’s probably bored as fuck and waxing poetic, but I still had to try twice to get past the first two paragraphs. Granted sometimes I do like this kind of writing, so it could be my mood… and frankly? Once he started interacting with / talking to people I got engaged rapidly.

    Being in GG’s head as he’s moping isn’t my favorite starting point but it’s brief and when we get to Baldwin’s tome I’m fully engaged and curious. I quite liked the ‘I could abide shabbiness but sloppiness had always bothered me’ line – great way to characterize someone. And I admit that this plot is interesting to me – went mad reading a book no one can read, GG doesn’t want him healed, etc.

    “He refuses to travel magically. Claims that it isn’t him that comes out the other end, and that he doesn’t know who takes the people in the middle.” – Now you’ve got me hooked! This is related to a concept I am playing with in a story I haven’t posted yet, and I’m always extremely excited when anything remotely similar pops up elsewhere.

    Love that he took a broom instead of floo / apparate / etc. Also I’m a fan of the little details, like GG realizing how convenient it is to be connected to an institution or how his old wand felt compared to the Elder. Makes your character/world come alive.

    Anyway – enough stream of consciousness for a bit. Going to go harder at reading through.

    I quite liked Hartrich and that entire interaction. He’s interesting and you did a great job of showing us that he’s very good at his job by ‘showing’ how he saw through GG. Surprised how much I enjoyed this OC and scene.

    I feel like GG basically got to mimic being a metamorphmagus here a little too easily – if you choose to edit this later, perhaps make it a requirement that this ‘dark’ spell requires you to have just murdered whoever you’re turning into?

    I didn’t often feel out of my depths. But there was a reason that I didn’t visit the Altsturm again after this excursion, and it was due to the fact that at times it felt as though the scholars at the university had divided magic so many times and in so many ways, that what they actually studied was not magic at all.

    ^I giggled at that.

    I can feel how badly GG wants to read this tome, hah. And then, when Friedrich says something about the three brothers… yeah, nicely done.

    Good alternative, where he gets 'just enough' from his mind, and uses his 'cause' to bring himself back from it. Reminded me of that Star Trek episode where Kirk is supposed to be smitten with a women to the point he won't leave, but his love of the Enterprise allows him to get past it.
     
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